The recent success of Freedomland and Clockers has established Richard Price as one of America's most accomplished novelists. Critics have praised both his uncanny ear for the cadences and pitch of dialogue and his insight into the deeper recesses of the American soul. Perhaps more than any novelist today, Price has captured the undercurrents of our culture and society.
All three of these scripts are terrific, among the best by one of our finest screenwriters. (His most recent film is "Ransom.") They are gritty and dark; fine examples of modern pseudo-noir. The book might be hard to find, but it's worth it for anyone interested in screenplays. These are three of the best I've read
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