Christmas evokes heartfelt songs of joy and devotion. Yet so often we hold back and fail to express our feelings of love and joy to the ones we hold dear. This year, the residents of Cape Light and Angel Island will learn to speak what s in their hearts Adele Morgan has made a few mistakes in her life. After a serious medical scare, she realizes that her greatest regret is that she sat idly by while a petty dispute tore her family apart. She has returned to Cape Light determined to mend the relationship between her feuding sons and bring everyone together for the holidays. A daunting challenge even for a mother s brave and loving heart. Adele s arrival elicits little delight. Molly Willoughby is overwhelmed with her catering business, and Sam Morgan is busy helping Reverend Ben with the Christmas festivities. Neither one seems to have time for their Grandma Addie and her plan to make things right. It will take a miracle to unite Adele s family under one roof this Christmas. Lucky for Adele, miracles can happen at the Inn at Angel Island. Meanwhile, there s another visitor and this one s a skeptic determined to debunk Angel Island s legend. Grad student Jonathan Butler plans on staying long enough to prove the angel lore is nonsense and leave with a grand bah humbug Stuck on the island for Christmas, he spends his time doing research in the Historical Center where he meets Tess Wyler, a local undergrad who helps him gather information. It s only a matter of time before he too falls under the island s spell and realizes that the proof of Angel Island and Cape Light s magic lies within."
This collection of nineteen paintings, accompanied by passages from various literary pieces,is a neat little book that manages to convey an introduction to the art of Thomas Kinkaid in a compact manner. Tasteful and thorough are adequate words to describe this book. Having read several negative comment's about the author's work by art pundits and critics, I was surprised by the masterful way the paintings were done, reminiscent of the early Renaisssance palettes and early baroque chiaroscuros. I may not be an art critic (though I do have a degree in art history),but I am once again sadly confronted with how cynical and mediocre liberal academia has become. Today, if art does not shock, anger or offend you, it is summarily dismissed as inferior. But consider what makes art masterful. Michelangelo's Pieta for instance is a masterpiece, because, asides from the superb technical work done on the marble slab, it moves us to an emotional response, the pain of the mother with her dead child, the dead Christ off the cross, His death for our salvation. Art should move you, spur you to be better, to reach a higher place. That is the true value of art. Kinkaid's work, to this end excels.
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