Composing exceptionally bad haiku requires a unique talent. It helps to have a wooden ear for logic, a penchant for sinking into a mire of poor judgement, and an overbearing sociopathetic confidence that allows one to write despite absolute and daunting incompetence. The haiku presented in this first of its kind anthology by Eddie are so glaringly awful and twisted that they emblematize a rare and special kind of capacity.
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