Verso-Aesthet & Politic

This is a well arranged volume of the essays essential to Marxist criticism from the 1930's to the 1950's. The essayists are all critical contributions are summed-up, and their current relevance traced, in a brilliant conclusion by Frederic Jameson, perhaps the most important Marxist critic writing today. I like this volume because the choice of essays is great and the selections are placed in a chronological, point-counterpoint format so that the 'conversation' is easy to follow. The essays are mainly concerned with the realism/modernism dialectic. Lukacs lauds the realism of Balzac and Mann as the exemplary approach to historicism in the novel. Adorno posits that high modernism, though it seems apolitical, provides the most ominous image of capitalism, and that it is thus the more viable revolutionary aesthetic. The other essayists chart the space between these (seemingly) polarized perspectives and provide important insights into the more mystical (Benjamin) and pragmatic (Brecht) applications of Marxist theory. Adorno takes Benjamin to task for not thinking dialectically. And, between Brecht and Adorno, Lukacs takes a beating for his reactionary attachment to the bourgeois realist novel. But Benjamin and Lukacs are both vindicated in Jameson's balanced conclusion. This is a short but invaluable volume for anyone interested in Marxist aesthetic theory.