AN EDGAR ALLAN POE AWARD FINALIST The author of the New York Times bestselling The Six now turns her formidable biographical skills to the greatest crime writer in the world, Agatha Christie. It has been one hundred years since Agatha Christie wrote her first novel and created the formidable Hercule Poirot. A brilliant and award winning biographer, Laura Thompson now turns her sharp eye to Agatha Christie. Arguably the greatest crime writer in the world, Christie's books still sell over four million copies each year--more than thirty years after her death--and it shows no signs of slowing. But who was the woman behind these mystifying, yet eternally pleasing, puzzlers? Thompson reveals the Edwardian world in which Christie grew up, explores her relationships, including those with her two husbands and daughter, and investigates the many mysteries still surrounding Christie's life, most notably, her eleven-day disappearance in 1926. Agatha Christie is as mysterious as the stories she penned, and writing about her is a detection job in itself. With unprecedented access to all of Christie's letters, papers, and notebooks, as well as fresh and insightful interviews with her grandson, daughter, son-in-law and their living relations, Thompson is able to unravel not only the detailed workings of Christie's detective fiction, but the truth behind this mysterious woman.
Laura Thompson's book goes over a lot of old ground, too, but she had access to so much material, and she was able to interview Rosalind Hicks and many others, many of whom speak freely here; and just "following the money" leads to some amazing stories--that Christie was desperately in need of money after WWII in order to pay off taxes she owed to the USA--and she would do just about anything for ready cash. She also hired a team of "handlers," secretaries, agents and managers on whom she depended heavily, but not all of whom were working in her best interests--it's like a Henry James setup, for somehow Thompson has access to the various correspondences between secretary and agent, agent and manager, who behind Christie's sometimes wrote frankly and harshly of her in a way that's not altogether comfortable to read. Each time she wrote a new book, for example, her trusted inner circle would tear it apart--not to her face of course--but to each other. But by far the most interesting material is about Christie's writing life. How instead of writing a book a year, as I guess I had always believed (or a book or more), she might write six books in one year, and then spend a year or two waiting for inspiration. So beyond the singular case of CURTAIN and SLEEPING MURDER, the chronology of Christie's writing life is very different than what we have hitherto assumed from her publication chronology. In the late 1930s she sketched out an "Alphabet of Ideas," 26 ideas of novels--and she managed to complete nearly all of them, some of them 20 or 30 years on. Thompson tells us that some of her books came easily, but others were tortuous in conception and execution. "THEY DO IT WITH MIRRORS went through several different forms along the way, two of which branched off to become A POCKET FULL OF RYE and A MURDER IS ANNOUNCED." THE PALE HORSE, CAT AMONG THE PIGEONS, even DEATH ON THE NILE were all started with Jane Marple, but then she changed her mind. The whole book is worth reading but Thompson has many strong opinions about Christie's life and work which will be much debated I expect!
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