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Paperback Anthology of Modern American Poetry Book

ISBN: 0195122712

ISBN13: 9780195122718

Anthology of Modern American Poetry

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Book Overview

Anthology of Modern American Poetry contains more than 750 poems by 161 American poets, including many who have not been anthologized before. Spanning a period from Walt Whitman to Sherman Alexie, this collection is the first to review the twentieth century comprehensively. It presents not only the canonical poetry of the last hundred years but also numerous poems by women, minority, and progressive writers only rediscovered in the past two decades.

Uniquely comprehensive, Anthology of Modern American Poetry represents Robert Frost with 23 poems, Wallace Stevens with 22, and Marianne Moore with 14, including her most ambitious long poems. William Carlos Williams is represented not only by his exquisite short lyrics, but also with an experimental combination of poetry and prose. With 29 poems, Langston Hughes is given full treatment for the first time in any comprehensive anthology. Substantial selections by contemporary poets like John Ashbery, Sylvia Plath, Frank O'Hara, Philip Levine, Lucille Clifton, Judy Grahn, Adrian Louis, Yusef Komunyakaa, Mart n Espada, and Sherman Alexie are also included.

Anthology of Modern American Poetry is the first anthology to give full treatment to American long poems and poem sequences. T.S. Eliot's The Waste Land, Gertrude Stein's "Patriarchal Poetry," William Carlos Williams's The Descent of Winter, Edna St. Vincent Millay's "Sonnets from an Ungrafted Tree," Muriel Rukeyser's "The Book of the Dead," Melvin Tolson's Libretto for the Republic of Liberia, Theodore Roethke's "North American Sequence," Gwendolyn Brooks's "Gay Chaps at the Bar," Kenneth Rexroth's "The Love Poems of Marichiko," both Allen Ginsberg's "Howl" and his "Wichita Vortex Sutra," and both Adrienne Rich's "Shooting Script" and her "Twenty-One Love Poems" are all included in their entirety.

Anthology of Modern American Poetry offers the most detailed annotations available in an anthology of this type. Many works benefit from specially commissioned research that provides students with such help as the identification of the inventive references in Melvin Tolson's poetry, translation of all foreign language passages, and illumination of obscure references. This is also the only American poetry anthology to present selected poems in the beautifully illustrated form in which they first appeared. In addition, an accompanying website featuring readings of poems and historical background is available at http: //www.english.uiuc.edu/maps.

Ideal for courses in modern American poetry, modern American literature, modern or contemporary poetry, creative writing-poetry, and American studies, Anthology of Modern American Poetry introduces students to the last 100 years of our poetic heritage in a uniquely rich and provocative format.

Customer Reviews

2 ratings

Reassessing the canon

Editor Cary Nelson grappled with many questions when compiling this anthology. He was determined to include some of our 'fierce but forgotten political poets.' But beyond that he decided to urge a major reassessment of the canon, including giving major coverage to Langston Hughes, for example. And to provide significant space for long poems and sequences and poems about race relations. Many of the poets were gay and many were socialists, or blacklisted. Many are Latino and Native American and African American. This is no lily white, square anthology. The printed book is accompanied by an online journal and multimedia site, called MAPS. http://www.english.uiuc.edu/maps/ Cary Nelson teaches modern poetry and literary theory at the University of Illinois at Urbana-Champaign.

Nelson's Modern American Poetry

This is an important anthology because it questions assumptions about taste as being standard and unchanging. Nelson invites the reader to try to use a historical imagination as well as to step outside of traditional biases, because over time poetry (even American poetry) has served different purposes for different communities as lively explosions of language and not simply as academic pretensions. While some poetry may seem just plain bad, Nelson's anthology shows us the number of ways that poetry was alive and exciting during the twentieth century. And even today poetry is not dead, exactly...it just smells funny.
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