"A gazetteer of American noir."-- Daily Telegraph In the summer of 1989 John Williams donned a baseball cap and took off for the States to search out the mythical America of modern crime fiction--to find James Ellroy's Los Angeles, Elmore Leonard's sleazy South Beach of Miami, Sara Paretsky's Chicago, and many others on a tour of the American underbelly. The result was Into the Badlands, a riveting collection of interviews. In 2005 Williams returned to discover that much had changed in the intervening years, both in crime writing and in America as a whole. As Williams crosses America in the wake of Hurricane Katrina, he finds himself in a profoundly uneasy country. Whether their territory is inner-city DC, like George Pelecanos, or the rural white poverty of the Ozark Hills, like Daniel Woodrell, the best crime writers today are sending dispatches from the edge. John Williams brings their visions together to construct a powerful, personal portrait of America today. Includes interviews with James Lee Burke, James Ellroy, James Crumley, Sara Paretsky, Eugene Izzi, Elmore Leonard, George V. Higgins, Vicki Hendricks, Kem Nunn, Kinky Friedman, Daniel Woodrell, and George P. Pelecanos.
This excellent literary travelogue is a little bit of an odd beast in that it is essentially an updated version of William's 1989 book "Into the Badlands" (which I read about five years ago). Back then, Williams visited the U.S., interviewing various crime writers about their hometowns and their writing process. He then repeated the process in 2005, leading to this book. Williams' M.O. is to stay in a cheaper (i.e. seedier) parts of town and either walk around on his own in search of interesting bars or music stores, or get the writer he's meeting to give him an insider's tour. He's clearly a believer in crime fiction as social portraiture and commentary, and also has a bit of a music industry background. These perspectives combine to make him an interesting external chronicler of contemporary America. The first hundred pages reprint portions from the 1989 edition on Miami (Carl Hiassen), New Orleans (James Lee Burke), Los Angeles (James Ellroy and Gar Anthony Haywood), Missoula (James Crumley), and Detroit (Elmore Leonard). These are interesting to read today not only for a perspective on how these various places have changed in the intervening 18 years, but for their insight on writers whose careers have since blossomed (the notable exception being Gar Anthony Haywood). A postscript gives a brief, and not always flattering, update on the career trajectories of these six writers. Sharp readers will also find other little nuggets that have aged well -- for example, in the section about L.A., one of the people who hosts Williams is scruffy young intellectual named Mike Davis, who has since risen to international prominence as an urbanist. It's not clear why these particular sections were chosen for this edition, nor why the decision wasn't made to simply republish them all, but the "missing" chapters are available for free at Williams' web site. These include another section on Miami (James Hall), and chapters on New Mexico (Tony Hillerman), San Francisco (Joe Gores), Chicago (Sara Partesky, Eugene Izzi), Boston (George V. Higgins), and New York (Andrew Vachss). Since his 1989 trip, Williams has gone on to write a series of excellent Cardiff-based crime novels himself (all of which are well worth seeking out). At the same time he's become more steeped in American crime writing, which gives the five newer chapters a touch more depth. Here, he visits Washington, D.C. (George Pelecanos), Hollywood Beach, FL (Vicki Hendricks), LA/San Diego (Ken Nunn), Austin (Jesse Sublett, Kinky Friedman), and the Ozarks (Daniel Woodrell). The only place in the whole book I'm particularly familiar with is D.C., and that chapter does a good job of giving the reader a taste of what the city is really like, and delivers a solid profile of Pelecanos (one of my favorite writers) as well. The book concludes with a bittersweet epilogue in which Williams reflects on the change that's come about in the intervening 16 years between his trips. Of course the internet has ma
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