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Paperback Beyond Palomar Book

ISBN: 1560978821

ISBN13: 9781560978824

The sixth volume of The Complete Love and Rockets Library is the third collection of writer-artist Gilbert Hernandez's Palomar main storyline. Poison River is a dizzying period piece often hailed as one of Hernandez's masterpieces. It traces the pre-Palomar childhood of Luba, her teenage marriage to gangster Peter Rio, the secrets behind her mysterious mother, all the way up to her subsequent escape and arrival in Palomar. This story introduces a number of characters and themes that occupied later issues of Love and Rockets (including Luba's mother Maria and her sinister guardian angel Gorgo), and is a riveting page-turner besides, with lots of sex, drugs, guns, politics, and women who can crack walnuts with their stomachs.

Love and Rockets X, set in the early 1990s, takes us from plush Beverly Hills to the dangerous east side and introduces us to a dizzyingly diverse cast of characters, including a lowlife rock 'n' roll band, a posse of Black youths, a ditzy Hollywood mom and her spoiled son, a gay activist filmmaker and his rebellious, half-Iraqi daughter, and a group of racist thugs whose violent attack on an older woman sets the plot in motion -- as well as bringing in several older characters, including a couple of Palomar expatriates.

These stories originally appeared circa 1989-1999 in the long-running (and ongoing) Love and Rockets comic book series, also featuring work by Gilbert's brothers. L&R has been called the greatest American comic book series of all time by Rolling Stone and a great, sprawling American novel by GQ.

Recommended

Format: Paperback

Condition: New

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Customer Reviews

2 ratings

these books are weird

I guess when i started reading these i liked the l.a. stories better than the mexican ones, and wanted them to be all about hispanic life in l.a. Over time though the characters in the mexican stories started to become better. Plus luba's got big boobs.

Hands Down One of the Best Stories Ever Written.

Readers of Gilbert H.'s fiction occasionally accuse him of lifting the slightly "mystic small town" aesthetic associated with writers such as Gabriel Garcia Marquez or william Faulkner, and not without good reason. I won't go into detail why this is one of my favorite books of all time, but I would like to know where Gilbert got his ideas, especially the bellybutton fixation and the walnut cracking.
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