At 130 pages, the fourth and final volume on the legendary Iv n "Mel n" Lewis is also the longest and most extensive, continuing the survey of his tumbaos and also including three full transcriptions and in-depth analyses of his playing style on introductions, cuerpos, fixed montuno sections, mambos and other parts of the arrangement. It also uses Issac Delgado's never-released live masterpiece La tem tica to launch our most in-depth study of the art of "controlled improvisation."
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