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Paperback Blake; Or, the Huts of America Book

ISBN: 151329685X

ISBN13: 9781513296852

Blake; Or, the Huts of America

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Format: Paperback

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Book Overview

Blake; Or, The Huts of America (1859-1862) is a novel by Martin Delany. Serialized in The Anglo-African Magazine, the novel has had a complicated publishing history due to the loss of the physical issues in which the final chapters appeared in May 1862. Despite this, Blake; Or, The Huts of America is considered a brilliantly unique work of fiction from an author known more for his activism and political investment in Black nationalism. Through the eyes of his hero Henry Blake, Delany envisions a future of revolutionary possibility and radical resistance to slavery and oppression. Though it was largely ignored upon publication, the novel gained traction with the Black Power and Pan-Africanist Movements in the twentieth century and has earned praise from such scholars as Samuel R. Delany, who described it as "about as close to an sf-style alternate history novel as you can get." Born free, Henry Blake is stolen into slavery from his family in the West Indies and taken to the Mississippi plantation of Colonel Stephen Franks. There, he marries Maggie, a fellow slave who happens to be the illegitimate daughter of Franks himself. When Maggie is sold away following a dispute with the master and his wife, Henry vows not only to find her, but to lead every last slave to freedom. He soon escapes, journeying in secret across the American South and interviewing enslaved African Americans along his way, learning the strategies of resistance and struggle they use every day for survival. As his reputation grows, Blake begins to organize a small uprising intended as only the first step of his radical revolutionary plan.

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Customer Reviews

2 ratings

The Prophet

One commentor argued that Delany was misinformed about Cuba and that he later dropped his concept of African American separatism. Neither of these are necessarily true. Delany used Placido as a leader of Cuban rebellion not because he actually was, but because Delany was trying to create hope in African Americans that there was a Pan African world fighting for liberation. Also, Delany's joining of the army during the Civil War is not necessarily reflective of droping his belief that there was no hope for Africans in the Americas. He simply joined the military because he was dedicated to freeing the Africans FIRST, with the hope that later they can create their own state. Delany was a Garvey before his time. Unfortunately he is written off by European Americans and those that wish to please them as a "militant" or a "radical". What's militant or radical about fighting for freedom? His idea that separatism was better was not about reverse racial prejudice, he just believed (as did many judges in Plessy Vs Ferguson) that Africans had to liberate themselves and build together before they could be equals. In fact his belief is resonate today; though there are African Americans who are successful, the vast majority remain in ghettos. Yes, Delany's message was never about reverse racial prejudice, but about creating an African society that was not the foot stool of a European one.

One of the most important African American texts ever

When Martin Delany wrote this book, he was along with his sometime collaborator Frederick Douglass, one of the two most prominent African American leaders in the country, and like Douglass his reputation extended beyond the United States to England and other parts of Europe. Unlike Douglass, Delany was even known in West Africa from which he recently returned where he had negotiated with AFrican leaders about with his economic and political plans. Indeed, in the months while Blake was published as a serial in the Anglo-African newspaper, Delany toured the US lecturing on Africa wearing African robes! Delany's book is one in a series of texts written by African American authors in response to Harriet Beecher Stowe's Uncle Tom's Cabin. Despite Stowe's assistance to this project by writing small poems introducing it,one of the sub texts of Blake is to show the difference between the realities of Slavery and the picture Stowe painted in Uncle Tom. Indeed, Daleny's hero Henry Blake is placed in the exact same place time and position as Uncle Tom, but instead of heroically suffering and dying and inspiring while refusing to physically resist slavery, Henry Blake runs away from slavery to organize an international revolution against slavery. (To be fair, Stowe admits in Uncle Tom's Cabin her book made slavery seem nicer than it really was because she believed slavery was so awful that the white Northern readers she targeted would be too disgusted to read a book that accurately described it. Moreover, by the time Delany wrote Blake, Stowe's views had become more militant. She had written Dred, a book whose Black hero leads a slave revolt.) Blake reflects the deep pessimism of the period, ironically only a few years before the end of slavery. In fact, though he was born free and had no fear of the fugitive slave laws, Delany had left the United States and moved to Chatham, Ontario by the time he wrote Blake, so despairing he was of the future of Black men. Delany urged Black people to leave the United States and proposed building an independent Black nation in Central America that could be a base for liberation of the slaves in all of the Americas. This task is taken upon in fictional guise by Henry Blake the hero of this novel. He escapes and goes on a travel through the slave and free states of the US, in a round based on the travels in Uncle Tom, on an itnerary that had become standard for books about slavery in this period. Blake's conclusion is that the slaves and even well-off freed blacks lack the leadership, culture, or education to lead a revolt of their own. The solution to this problem is found by Blake when Blake reveals that he is actually Henricus Blaccus, a distinguished, cultured Afro-Cuban captured into American Slavery. He leaves the US for Cuba and rejoins a company of similarly well off, cultured, and artistic Afro-Cubans conspiring to overthrow slavery and Spanish rule and make Cuba into a base for African
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