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Hardcover Bowie: A Biography Book

ISBN: 0307393968

ISBN13: 9780307393968

Bowie: A Biography

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Format: Hardcover

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Book Overview

Finally an expansive biography of one of the twentieth century's greatest music and cultural icons From noted author and rock 'n' roll journalist Marc Spitz comes a major David Bowie biography to rival any other. Following Bowie's life from his start as David Jones, an R & B-loving kid from Bromley, England, to his rise to rock 'n' roll aristocracy as David Bowie, Bowie recounts his career but also reveals how much his music has influenced other musicians and forever changed the landscape of the modern era. Along the way, Spitz reflects on how growing up with Bowie as his soundtrack and how writing this definitive book on Bowie influenced him in ways he never expected, adding a personal dimension that Bowie fans and those passionate about art and culture will connect with and that no other bio on the artist offers. Bowie takes an in-depth look at the culture of postwar England in which Bowie grew up, the mod and hippie scenes of swinging London in the sixties, the sex and drug-fueled glitter scene of the early seventies when Bowie's alter-ego Ziggy Stardust was born, his rise to global stardom in the eighties and his subsequent status as an elder statesman of alternative culture. Spitz puts each incarnation of Bowie into the context of its era, creating a cultural time line that is intriguing both for its historical significance as well as for its delineation of this rock 'n' roll legend, the first musician to evolve a coherent vision after the death of the sixties dream. Amid the sex, drugs and rock 'n' roll mayhem, a deeper portrait of the artist emerges. Bowie's early struggles to go from follower to leader, his tricky relationship with art and commerce and Buddhism and the occult, his complicated family life, his open romantic relationship and, finally, his perceived disavowal of all that made him a touchstone for outcasts are all thoughtfully explored. A fresh evaluation of his recorded work, as well as his film, stage and video performances, is included as well. Based on a hundred original interviews with those who knew him best and those familiar with his work, including ex-wife Angie Bowie, former Bowie manager Kenneth Pitt, Siouxsie Sioux, Camille Paglia, Dick Cavett, Todd Haynes, Ricky Gervais and Peter Frampton, Bowie gives us not only a portrait of one of the most important artists in the last century, but also an honest examination of a truly revolutionary artist and the unique impact he's had across generations.

Customer Reviews

5 ratings

Do your job Mr. Editor

This is the first biography of Bowie I've read, although now that I'm reading earlier ones, some descriptions are very similar (although at least Spitz provides an extensive bibliography). Overall, it's a good read, although in the acknowledgments the author is far too effusive in his praise for his editor given the flaws that are present. Examples: The McCoys did not do "Sorrow"; Jim Gordon did not play the piano coda on "Layla"; if you say on page 349 that a 1992 show was the first time Mick Ronson had appeared on stage with Bowie since 1973, don't say on page 325 that "Mick Ronson sat in with the band during a tour stop in Canada" in 1983. In several places paragraphs are repeated almost verbatim a few pages later. Nevertheless, I give an extra star for the author's comment on Bowie's most recent (and last?) album: "Rock 'n' Roll seems to be tacitly acknowledged on Reality as one of the youthful things that grow more and more true as one gets old, not a simple pleasure, but its pleasures a simple truth." As a 61-year-old fan of the 63-year-old Bowie, that's a thought worth keeping.

For the true "Bowie-ist"

Given all the David Bowie biographies out there, this one presents little new information, but it does manage to present much of it in a way that feels fresh. The author, who is clearly an über-fan and refers to Bowie fans, including himself, as "Bowie-ists" interjects his voice and experience into the story, and this is exactly what sets it apart. The experience of Bowie via the die-hard fan's perspective is to truly experience Bowie. His creative talent for writing music and creating personae is legendary and well-documented, but this bio provides the additional perspective of how Bowie affects PEOPLE, with a glimpse into just how profoundly Bowie does affect many of us. I found Spitz's writing to be respectful and sincere, clearly reverent but also providing criticism when appropriate (the "Tonight" album and the Glass Spider tour). True Bowie-ists will of course want to read more than one Bowie biography, and this one should be on the short list. I thoroughly enjoyed it.

Finally! A Biographer Without an Axe to Grind...

An thoroughly researched and refreshingly even-handed treatment of the subject matter. Most other Bowie biographies resort to sensationalism or come across as half-baked indictment's from begrudged hangers-on or jilted ex-collaborators (see Edwards' and Zenetta's "Startdust" or the absolutely horrid "Backstage Passes" by Angela Bowie). While this book quotes from these two dubious sources (amongst many others), it does so only in good taste and with objectivity rarely found in the source material. This is the only fault I could find in this otherwise outstanding book. Importantly, full historical vignettes accompany the introduction of each important collaborator (Pitt, Ronson, Alomar, Garson, Visconti, Eno, Pop, Kemp, Bolan - the list goes on.) Buy this along with Thomas Seabrook's "Bowie in Berlin: A New Career In A New Town" and you can't go wrong. Very highly recommended.

Thoroughly Enjoyable

This is a very good book. It may not be the best as your First Bowie Book, but it is a wonderful piece of musical literary journalism in its own right. It is written with tact, respect, and sincere love for the subject, which is David Bowie's music, first and foremost. As far as the curious anecdotes about Mr. Jones himself, as well as sexy gossip and other juicy bits - this is probably not the venue, although it's hard to avoid (to this reader's great delight). I believe it was the author's choice to write a philosophical piece concerning the nature of creativity, using the beloved icon as a shining example. Personally, I would appreciate more photos, but, again, I didn't buy this book for illustrations.

Non-traditional but expansive and illuminating bio

I think there is more than enough heretofore uncovered biographical material in BOWIE to call it one of the best modern rock books of the decade. It's not your standard linear bio and for good reason. One of the strongest sections covers the silence of Bowie over the last few years. It's an unusual way for an author to approach his subject, but I think Spitz has some very intelligent things to say about this silence and the most serious of Bowie fans will find a lot of new ideas here.
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