Veteran camera assistant Doug Hart describes in this comprehensive technical guide all of the important facets and duties of the first and second camera assistants' jobs. Whether it is feature films, episodic television, documentaries, commercials, or music videos, The Camera Assistant: A Complete Professional Handbook explains both the practice and theory behind it with a concentration on technique rather than equipment. In addition, personal anecdotes from the author's years behind and beside the camera provide insight into this demanding field. Key topics include film formats and aspect ratios, testing lenses and camera equipment, focus theory, film loading and labeling, scene blocking, marking actors, shooting tips, slating, paperwork, equipment maintenance, set etiquette, and finding work. This is not a camera equipment handbook; it is a comprehensive procedures manual which describes and explains the most important responsibilities of the camera assistant on the set, the theory behind the practice, and the methods that get the job done properly and keep the assistant frequently employed. Douglas C. Hart has been a freelance first-camera assistant on feature films, documentaries, television shows, and commercials for more than 20 years, including 10 years (and 10 films) as first-camera assistant to Gordon Willis, ASC, as well as work in 42 states and 26 foreign countries. His work includes Presumed Innocent, Hannah and Her Sisters, The Cosby Mysteries, and CBS's Central Park West. He is a member and former president of the International Photographers Local 644, IATSE, and teaches the Camera Assistant Workshops at the International Film and Television Workshops in Rockport, Maine.
Of the two major "textbooks" on ACing, this is the best one to start with. It gives enough information to initiate you into what is expected of all members of the camera crew, but is not overwhelming with technical info (not that you are not going to want that info someday, but if you are new, it can be confusing and even discouraging.) After this book, get David Elkin's Camera Assistant's Manual, which goes into much further detail. As you work with different cameras, download the manuals from the panavision/arri/aaton/etc websites so you can feel comfortable with the differences in individual cameras. Lastly, get a used copy of the very expensive American Cinematographer Manual for all the technical bits in one handy portable reference book. This, and tons of set experience, is probably all you need (and keep in mind some of the greatest cinematographers who ever lived worked without any of these aids). Rely on your eye!
The Camera Assistant - A Complete Pro Handbook (Hart)
Published by Thriftbooks.com User , 24 years ago
This is probably the best handbook for this discipline I've ever seen. I bought a copy when I was in the States three years ago - and it was swiped ! I plan to prescribe this book for my students from 2001 onwards. Well done !John Hill [email protected]
The bible for operating camera personnel!
Published by Thriftbooks.com User , 25 years ago
This book is a complete and highly insightful manual for motion picture camera assistants and operators. It covers the disciplines, techniques, skills and even the politics of the craft. For anyone involved or wanting a fabulous look into the workings of the film industry, buy this book!
This is the new Bible.
Published by Thriftbooks.com User , 27 years ago
Compiled from years of teaching innumerable students at the International Film & Television Workshops in Rockport, ME, this book supercedes all previous texts on the subject. A former President of East Coast Camera Local 644, Hart writes in a manner as readable as it is thorough. Illustrations and appendices are completely useful. This is the new Bible for the working A.C. and anyone seeking to understand how the camera department really functions.
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