My sight was always good. But color now takes on even greater riches. I no longer need the bright blues and reds, which I did so delight in when I was young. I see a hundred times more beauty now in a dark brown, or the pale tints of quiet flesh. Or a ray of light across a fur or a beaten earth floor or a suit of black armor. Such colors do not distract the eye, but rather let it concentrate on my forte, the human face. There I will have my theater, there my drama, there my applause. Peachment's imagined Caravaggio, while still a child, overhears his parents discussing one of his sketches, and realizes he has a talent that sets him apart from the world. He leaves family and home forever to map out a solitary traveler's life. Caravaggio became a revolutionary of his time, a rebellious and dangerous man to know, a man governed by his genius, his indiscriminate sexual appetite, and his murderous rage. He was sought far and wide in the late Renaissance world for his art, and there was a price on his head for at least one murder. This is Caravaggio's confession, told in humorous, blasphemous, often brutal prose, which cleverly beguiles the reader into understanding the art that was so celebrated and the life that caused so much outrage. Peachment's Caravaggio is a gripping story of one man's determination to grapple with the truth as he journeys through Rome, Naples, Malta, and Sicily, encounters lovers and enemies, endures madness, exile, and imprisonment, and faces a final showdown with the Vatican Secret Service. His account is poignant and spirited. It is an adventurous and thoroughly enthralling insight into the mind of a creative genius and the violent world that inspired his paintings.
Unputdownable! A tasty read that updates the life of the notorious painter with modern vernacular and without compromising narrative. Had this book for years but just got around to reading it. What a delicious surprise.
Irreverent delight
Published by Thriftbooks.com User , 18 years ago
Peachment led me on an engaging and entertaining adventure through Caravaggio's life. I was not the least concerned by anachronisms and inaccuracies. What I got was an "artist's impression" - and I loved it. Do yourself a favour if you plan to read this book: get hold of a book of Caravaggio's pictures so that you can study each picture while reading "Caravaggio's" description of it. I bought Timothy Wilson-Smith's "Caravaggio" and went back and reread Peachment's book. There's great delight in comparing Wilson-Smith's formal and presumably "accurate" analysis with Peachment's ("Caravaggio's") irreverent possibly inaccurate account.
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