Jake Callahan, exhalting in his great fortune at finding the story of "the most beautiful murderess," precisely characterizes Watkins's satirical take on murder and its aftermath--a view she formed while covering two similar and equally sensational murder trials for the Chicago Tribune.
Watkins opens this comic drama with a brutal dramatization of the same situation the women in her articles faced: a vengeful Roxie has slain her lover for mistreating her. And then the fun begins. A boring, run-of-the-mill murderess until her frank confession creates an opportunity for profit, Roxie begins a transformation to rival that of Pygmalion's statue. She becomes, as Thomas H. Pauly points out in his introduction, a "tabloid Cinderella."