Chuck Close--a man who describes himself as "an artist looking for trouble"--has for three decades consistently but variously challenged the accepted boundaries of the printmaking tradition. Published to accompany a retrospective of his prints opening at Blaffer Gallery and traveling to the Metropolitan Museum of Art and several additional museums around the country, this is the first comprehensive survey of Close's revolutionary prints. Featuring exquisite reproductions of the prints together with essays on Close's career and in-depth interviews with the artist and his master printmakers, the volume blends words and images to give readers unique insight into the creative process. The text highlights the intensely collaborative nature of Close's project and looks into the challenges posed by the unprecedented huge scale he prefers. Close may labor on a single print for as long as two years, working out aesthetic problems that might involve the retrieval of a centuries-old European method on one day and the creation of an entirely new technique (such as applying sunscreen to block light) the next. "Prints have moved me in my unique work more than anything else has," Close says. "Prints change the way I think about things.? From the artist's ambitious first mezzotint to his recent pulp-paper multiples, this book chronicles the genius of Chuck Close in the medium in which he has done his most exciting work. Taken together, these prints constitute a remarkable self-portrait of the creative drive, vision, and intellect of one of America's most important living artists. EXHIBITION SCHEDULE: Blaffer Gallery, the Art Museum of the University of Houston September 13-November 23, 2003 The Metropolitan Museum of Art, New York January 13-April 18, 2004 Miami Art Museum, Florida May 14-August 22, 2004 Knoxville Museum of Art, Tennessee October 29, 2004-March 27, 2005 Mint Museum of Art, Charlotte, North Carolina April 16-August 7, 2005 Addison Gallery of American Art, Andover, Massachusetts September 6-December 4, 2005 Modern Art Museum of Fort Worth, Texas April 16-June 28, 2006 Madison Museum of Contemporary Art in Madison, Wisconsin July 29 - October 6, 2006 Orange County Museum of Art, Newport Beach, CA January 28-April 20, 2007 Boise Art Museum, Idaho May 12-August 11, 2007 Portland Art Museum, Oregon September-December 2007
Hmmmm, how do I start. This is one of my favorite printmaking artists. Chuck Close does not work within any printmaking boundaries, he goes beyond them. His etchings extend the boundaries of how many plates can be printed prior to the paper deteriorating, his blockprints are absolutely mind bending and astounding, his reduction linocuts are masterful, and his creativity for paper pulp prints is freakishly genius. I love, love, love this book, and if you have any connection to works on paper or printed images then you too will love the interviews with Chuck Close, and the explanation of the process and collaboration. need I say more? buy this book!
photos are good
Published by Thriftbooks.com User , 18 years ago
The illustrations of this book are very good for understanding the works of the artist and the process as well.
One of the greatest art books ever published
Published by Thriftbooks.com User , 18 years ago
The first reviewer here is nuts. This is a book that was released when Chuck Close had a retrospective on his prints. This book has info on the prints and no paintings. what is great about 'Process and Collaboration' is the fact that it delves so deeply into Closes working habbits and how he pretty much invents his process from one small series of works to the next. This book gave me a huge boost in my appreciation for Close. I liked him before, but this added so much depth to my understanding of him as an artist. I now feel as though Close is as complicated as any other artist that I have knowledge of. Even though he has built a long and vibrant legacy based on nothing more than close-up head shots. This is a must have book and I only wish that every artists retrospective went into a similar amount of detail.
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