Cinema and Soviet Society: From the Revolution to the Death of Stalin
The story of Soviet film over the period covered by Peter Kenez is central to the history of World Cinema. In this revised, updated paperback edition of his classic text, Peter Kenez explores the roots of Soviet cinema in the film heritage of pre-Revolutionary Russia, tracing the changes in content, style, technical means and production capacities generated by the Revolution of 1917; the constraints on form and subject imposed from the 1930s in the name of Socialist Realism; the relative freedom of expression accorded to film-makers during World War Two; and the extraordinary repression during the final years of Stalin era. Based on original research both in the former Soviet Union and elsewhere in the primary sources of Eastern Europe, this is the essential student text on the period which produced the major films of such 'greats' as Eisenstein, Vertov, Kuleshov, Pudovkin and many more.
Format:Paperback
Language:English
ISBN:1860645682
ISBN13:9781860645686
Release Date:December 2000
Publisher:I. B. Tauris & Company
Length:264 Pages
Weight:0.88 lbs.
Dimensions:0.6" x 6.1" x 9.2"
Customer Reviews
1 rating
An Essential Book on Soviet Cinema
Published by Thriftbooks.com User , 22 years ago
Anyone who wants to understand the movies of the Soviet Union should start with this book. It is very thorough and written in a lively, bright style that is free of academic jargon.Kenez begins with the pre-Revolutionary film industry and shows how it broke down and was built back up by the Soviets. He pays equal attention to the "high art" films that were famous in the West for decades (those of Eisenstein and Pudovkin) and the entertainment films that attracted the average Soviet citizen (such as the musical comedies of the 1930s, like "Volga-Volga.") He shows how Soviet movies responded to the imposition of Socialist Realism, World War II, and the cultural freeze of the late Stalin era.The only problem with this book is that it is TOO SHORT. Upon reaching the end, the reader wants to see Kenez tackle the films of the Khrushchev Thaw and the Brezhnev era. However, one should be thankful for what one has, and in this volume, one has a truly indispensible book.
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