Chuck Close has pioneered ideas of scale, form, and colour through the theme of portraiture, a genre that he has fundamentally redefined. Although Close has painted himself far more often than any of his other subjects, the majority of those other subjects have been fellow artists. This book details more than thirty years of Close's remarkable career, exploring the evolution of both his self-portraits and artist portraits and the compelling man behind them. Divided into three sections, the book's first section includes a comprehensive biography of Close that deals with his childhood and college years, his struggles with learning disabilities, the origins and perfecting of his near photographic painting technique, and his sudden illness in 1988, which led to almost complete paralysis, and the degree of recovery that enabled him to continue his painting career. The second section is an examination of his self-portraiture. The final section deals with the artist's paintings of fellow artists, including Cindy Sherman, Francesco Clemente, Jasper Johns, and William Wegman. The text includes Close's insightful comments about these works and interviews with the subjects.
An Insightful, Warm Homage to Chuck Close: The Man and the Artist
Published by Thriftbooks.com User , 19 years ago
Martin Friedman has written and composed a book about his friend and honored colleague Chuck Close that reads as a fine biography. Friedman, previously with the highly regarded Walker Art Center and now an important art historian and curator for other museums, began his 'conversations' with Chuck Close in 1969 and grew into a close personal as well as professional relationship with the artist and this relationship is evident in the quietly detailed information about Close's well known bout with paralysis and subsequent recovery to the point of continuing to be able to paint. The quality of friendship is palpable. But Friedman does not limit his writing to simply the personal issues that make Chuck Close a hero in the realm of overcoming tragic blows. This book, better than any of the other many volumes on this innovative artist, provides solid information on the development of Close's technique of producing vast canvases out of pixilated portions, explaining in fine detail how he approaches the portrait from inception through painstaking process, to completed work. No one has explained and illustrated it better. Once Friedman has shown us process he then shares some of Close's important portraits of fellow artists such as Francesco Clemente and Cindy Sherman and accompanies these experiences with valuable illustrations of the works in addition to Friedman's own conversations with each of the artist models in a way that only a man who has the depth in contemporary art that Friedman can make informational and rational! For this reader the most satisfying portion of this superb book is Friedman's discussion of the Self Portraits of Chuck Close, works that provided significant bridges between his struggle against physical challenge and emotional recovery. It is not only insightful psychologically; it is a true homage to a contemporary hero. Throughout the book the pages are filled with copious excellent reproductions of the materials discussed. Highly Recommended on many levels. Grady Harp, November 05
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