Cold Comfort Farm

It's hard to explain just how funny, brisk and complete (and lowkey romantic) Cold Comfort Farm is. It's been my favorite book for almost 20 years. Flora is a marvelous protagonist: clear-eyed, self-possessed, a bit full of herself but not wrong. Every character is full and outrageous. The movie is an EXCELLENT adaptation but can't include everything. Enjoy something narsty in the woodshed. I wish I knew a bit more about the conventions of gothic novels, because I know there's some send-ups I'm missing. Anyway, delightful. And is the reason I read Persuasion, which is now another bulletproof favorite.

I first saw the movie version of this book and fell in love with the characters. When I found the book I started reading right away and couldn't put it down! The author describes the characters and plot so well that the reader feels they are right there with Flora! It improved the movie (which stayed fairly true to the original writing)and now everytime I watch the movie I add the parts of the novel that are missing and it makes it so much better!

This is the book that makes marvelous fun of them. If you slogged through Wuthering Heights and Tristram Shandy and Jane Eyre and The Mayor of Casterbridge or Return of the Native wishing someone would just smack some sense into someone or have a little normal fun, this is the book for you. And if you loved those books, you'll love this one even more. Gibbons attacks the Gothic and Pastoral novels on their own turf and turns them on their ears while delivering a few good jabs at the Modern Novels of the 1930s to boot. Literary humor so good it'll make you giggle and snort and want to read aloud. This particular edition, while it has the most awful cover art on the planet, happens to have very nice introduction by Lynne Truss--the author of Eats, Shoots, and Leaves--which gives some wonderful and funny background on Gibbons, her life, times, and writing. It's also amusing on its own and great info if you're stuck writing book reports. There are some oddities to this book in which a "near future" England of 1938 has no hints of World War II, but that makes it so much more delightful. It is a book that exists in a bubble just like the worlds of the stories Gibbons lampoons so well. Cold Comfort Farm is a literate and intelligent piece of writing that is also hilarous and great fun to read.

"There have always been Starkadders at Cold Comfort Farm." That rather ominous announcement sets the tone for "Cold Comfort Tale," a slyly comic tale about a modern young woman who decides to "tidy up" a backward Sussex farm. Gibbons' deft sense of humour and entertaining characters bring alive what could have been just another coming-of-age novel. Young Flora Poste unexpectedly finds herself orphaned, with only a tiny yearly allowance. But instead of getting a job and apartment, she decides to go live with relatives, so she can get life experience, tidy up, and make life nice and orderly. After a few vetos, Flora decides to go to Cold Comfort Farm, a "doomed house" whose inhabitants feel they owe a debt to her. When she arrives, she finds a clan of inbred Sussex hillbillies, including her grimly religious uncle, depressed aunt, "highly sexed" cousins, a very fertile farm girl, and the crazed matriarch, Aunt Ada Doom, who "saw something nasty in the woodshed." Even worse, a pompous writer is infatuated with her. But Flora is determined to make things orderly, and so she begins changing Cold Comfort Farm... It takes a really good writer to straddle the line between spoofery and a serious book. Stella Gibbons was one such writer, and like Anita Loos, she was happy to eye everything humorously: the idle wealthy (Mary Smiling and her bra collection), people who live in squalor and hate it, but aren't willing to change (the Farm inhabitants), and even intellectuals ("Do you believe women have souls?"). Even the livestock gets funny names like Feckless, Graceless and Arsenic. For the most part, "Cold Comfort Farm" does seem orderly and tidy -- Flora drags it into the 20th century, sends people off to better lives, and arranges marriages, including one for her fey cousin to a young aristocrat. The only flaw is the ending: Gibbons never tells us what Flora's "rights" are, what Aunt Ada saw, or what happened with Flora's dad. At first, Flora comes across as rather manipulative and shallow. The odd thing is, as the book progresses, we see that Flora's liking for tidiness is essentially good-hearted. Like one of Jane Austen's heroines, she does these things not just for herself, but for their sakes as well -- she wants a "happily-ever-after" for everybody, including the mad matriarch, her womanizing cousin, and fire-and-brimstone uncle. While the ending of the book is not as tidy and orderly as I'd hoped, "Cold Comfort Farm" is still an entertainingly wry novel -- call it a comedy of improving manners.

Not long before she died, I wrote to Stella Gibbons to tell her how much I liked her books - all of them. She wrote back that most readers have only read Cold Comfort Farm. "It's rather like having a brilliant eldest child who puts the rest in the shade", she said. Since, with the exception of Cold Comfort Farm, all of her literary offspring are out of print, content yourself with buying the brilliant eldest book. Flora Poste, a true Virgo, descends on the Starkadder clan and creates calm out of chaos. And as with all good fairy tales, even the Starkadders lived as happily-ever-after as anyone with such a lurid emotional life could. (Note: If you enjoy this book and want to try some of Stella Gibbons' other titles, there are some gems, but they are all quite different in style from Cold Comfort Farm - it is unique.)