Emerson's incomparable brilliance as a prose writer has often overshadowed his remarkable gifts as a poet. Gathering both published and unpublished work, this Library of America edition makes available for the first time to general readers the full range of Emerson's poetry, including many poems left in manuscript at his death that have hitherto been available only in drastically edited versions or specialized scholarly texts. Displacing all previous editions in its comprehensiveness and textual authority, this volume reveals the ecstatic, mystical, and private meditative sides of one of the greatest of all American writers. All the poetry Emerson published during his lifetime is included in this single volume. His collections, Poems (1847), May-Day and Other Pieces (1867), and Selected Poems (1876), as well as other pieces written for magazines, fuse close observations of the New England landscape with far-reaching spiritual explorations. His familiarity with botany and geology, Greek philosophy, Persian poetry, and anti-slavery politics gives his writing an intellectual breadth, and a challenging, continuing modernity unique among American poets of his time. More than half the volume is devoted to a generous selection of poetry from Emerson's journals and notebooks, ranging from his childhood to his final years as a writer. This work--printed here as Emerson wrote it, without the revisions imposed by earlier editors--is a revelation: a bounty of formal experimentation and speculative thought that displays, as in a painter's sketchbook, the creative process at work. Also included are Emerson's little-known poetic translations, chiefly from the Persian poets Hafiz and Saadi, whose fusion of sensuality and mysticism so profoundly influenced his poetic thinking. With them is the complete La Vita Nuova (The New Life) , Dante's meditation on love that Emerson translated into English for the first time. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
The aphoristic, enigmatic, cryptic, verse of Emerson is collected here in its entirety. Much comes from his notebooks and journals. Emerson was criticized among others by Mathew Arnold for lacking ' the soul' of the poet. And it is true that the music of his verse is often a rough, awkward, intellectual one. And that what is memorable in it comes as a line here or there which could well come from his essays. Nonetheless there are memorable lines and a few poems which enter the heart and mind, perhaps because once read in childhood anthology they remain as part of one's inner landscape. For me Emerson as a poet is primarily isolated like the most memorable Emerson of all, " By the rude bridge/ that arched the flood/ their flag the April breeze unfurled /Here once the embattled farmers stood and fired' "The shot heard round the world". In another sense Emerson appreciated Poetry and was the patron , and capable of recognizing the great value of , arguably, the ur- American poet, Whitman. Reading the poetry is often a quite complicated intellectual exercise. But it is also one which yields new ideas, though perhaps those ideas are not felt as deeply as poetry should make us feel.
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