With contributions from a range of internationally known early music scholars and performers, Tess Knighton and David Fallows provide a lively new survey of music and culture in Europe from the beginning of the Christian era to 1600. Fifty essays comment on the social, historical, theoretical, and performance contexts of the music and musicians of the period to offer fresh perspectives on musical styles, research sources, and performance practices of the medieval and Renaissance periods.
Rich Collection of Essays by Great Music Historians
Published by Thriftbooks.com User , 16 years ago
Readers of my many reviews of European music from the 11th to the 16th centuries have asked me more questions than I can find time to answer. This book does the job more eloquently than I ever could, including 49 essays by noted musicologists like Reinhard Strohm along with performing musicians of the caliber of Anthony Rooley and Paul Hillier. Here's a list of the subject sections: 1. The Music of the Past and the Modern Ear 2. Aspects of Music and Society 3. Questions of Form and Style 4. Using the Evidence 5. Pre-performance Decisions 6. Performance Techniques Topic 3 is especially deep, covering the genres of vocal and instrumental music, the origins of medieval instruments, and the techniques of composition in the era before keyboards. Some of the essays are clearly by scholars for scholars, but the majority will be comprehensible to anyone with a basic musical vocabulary.
great help
Published by Thriftbooks.com User , 16 years ago
This book is a series of very short (sometimes just a couple of pages) articles on major issues about Medieval & Renaissance music. Great scholars explain the matter in a very succinct and accessible way. All the aspects of the musical phenomena are investigated. From notation, to performance, criticism, iconography, historical context, etc. I strongly recommend this book to integrate a music history textbook because it allows the reader to consider exclusively some genres and some particular issues.
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