C. D. Wright takes her title from a line of legal defense, peculiar to Texas courts, in which it is held that if a man kills before having had time "to cool" after receiving an injury or an insult he is not guilty of murder. Cooling Time is a new type of book, an unruly vigil that is an interconnected memoir-poem-essay about contemporary American poetry. Ever focused on possibilities , Wright demonstrates that "the search for models becomes a search for alternatives," and thereby defines the terms by which poets can chart their own course. These are some of the things I have touched in my life that are forbidden: paintings behind velvet ropes, electric fencing, a vault in an office, gun in a drawer, my brother's folding money, the poet's anus, the black holes in his heart--where his life went out of him . Tell me, what is the long stretch of road for if not to sort out the reasons why we are here and why we do what we do, from why we are not in the other lane doing what others do . Poetry is like food remarked one of my first teachers, freeing me to dislike Rocky Mountain Oysters and Robert Lowell. The menu is vast, the list of things I don't want in my mouth relatively short . C.D. Wright , author of nine books of poetry, teaches at Brown University. She lives in Providence, Rhode Island, with poet Forrest Gander.
C.D. Wright has been afflicting the comfortable in poetry for some time now. Her poems amount to a continuing revolution. "Cooling Time" demonstrates form in order to talk about form: essays blur their borders with poems, lyrical meditations and diamond sharp bits of memoir. The relationship between her thinking and her feeling is seamless. And you can hear her as you read: demotic, classical, and wicked smart. Lear gets down with backwoods. Any poet who wants his mojo reactivated would be well served to read this book. Read it in little bursts like attacks of carnal love. Rest in between. Then reread. This book is like really fine spicy collard greens.
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