Dana Andrews (1909-1992) worked with distinguished directors such as John Ford, Lewis Milestone, Otto Preminger, Fritz Lang, William Wyler, William A. Wellman, Mervyn Le Roy, Jean Renoir, and Elia Kazan. He played romantic leads alongside the great beauties of the modern screen, including Joan Crawford, Elizabeth Taylor, Greer Garson, Merle Oberon, Linda Darnell, Susan Hayward, Maureen O'Hara, and most important of all, Gene Tierney, with whom he did five films. Retrospectives of his work often elicit high praise for an underrated actor, a master of the minimalist style. His image personified the "male mask" of the 1940s in classic films such as Laura, Fallen Angel, and Where the Sidewalk Ends, in which he played the "masculine ideal of steely impassivity." No comprehensive discussion of film noir can neglect his performances. He was an "actor's actor." Here at last is the complete story of a great actor, his difficult struggle to overcome alcoholism while enjoying the accolades of his contemporaries, a successful term as president of the Screen Actors Guild, and the love of family and friends that never deserted him. Based on diaries, letters, home movies, and other documents, this biography explores the mystery of a poor boy from Texas who made his Hollywood dream come true even as he sought a life apart from the limelight and the backbiting of contemporaries jockeying for prizes and prestige. Called "one of nature's noblemen" by his fellow actor Norman Lloyd, Dana Andrews emerges from Hollywood Enigma as an admirable American success story, fighting his inner demons and ultimately winning.
The author uses words like "evanscent," "concatenation," and "foci mimics," just to name a few elite words. A bit of a turnoff. Was the author trying to show off his broad vocabulary? I found that a distraction. I also did not like his format. At first, I thought I would like it because he used quotes from Dana's journal and direct quotes from his daughter Susan. But then the author proceeded to describe each and every movie in detail. Meaning the beginning, the middle, and all of the endings. Not to showcase anecdotes from Dana's experiences or people that he met along the way, but to reveal all the endings, leaving nothing for the reader to explore on their own. Rather insulting and condescending, like I couldn't form an opinion of a movie by myself. The author did not get to the root of the reason for Dana's drinking compulsion. He had a fabulous, loving family life; both family of origin and his married life with kids. I think that the author left me thinking less of Dana Andrews, instead of an insight into what makes him tick. I couldn't detect what his problems were that caused him to drink to excess. All in all, a major disappointment as I waited months to buy this book.
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