Since the late 1970s, a subgenre of crime fiction, written by women and featuring a professional woman investigator, has exploded on the popular fiction market. Priscilla L. Walton and Manina Jones focus on this recent proliferation of women writers of detective fiction, providing the first book-length study of the historical and societal changes that fueled this popularity, along with insightful and entertaining readings of the texts themselves.
Walton and Jones place the genre within its aesthetic, social, and economic contexts, reading it as an index of cultural beliefs. Addressing the ways that Sara Paretsky, Sue Grafton, Marcia Muller, and others work through the conventions of the "hard-boiled" genre made popular by writers such as Dashiell Hammett, Raymond Chandler, and Mickey Spillane, the authors show how the male hard-boiled tradition has been challenged and transformed. Issues of child, spousal, and sexual abuse are more likely to surface in women's detective novels, the authors show, and female sleuths face many of the same dilemmas as those who read about them-everyday problems with relationships, parenting, and money.
Detective Agency also integrates interviews with authors and publishers, reader surveys, publication data, and analysis of internet discussion groups to present a fascinating picture of the "industry" of women's detective fiction. Authors of these works are powerful players in the publishing system as well as agents of cultural intervention, Walton and Jones claim. They conclude by examining the rise of female detectives in television and film.
I picked up this book out of curiosity because I write crime novels. When I saw from the index that the authors discussed my books, I could not resist reading those pages on the spot. Had I not been impressed by the discussion of my work, I would not have purchased the book. And I'm very glad I did. The authors have put a great deal of research and thought and analysis into this book, interviewing agents, editors, and authors (I was not among them, and do not know the authors myself). They have clearly done their homework, with nearly twenty pages at the end devoted to listing cited works and contacted people, all of them among the most knowledgeable and admired in the business. This is an impressive work, and one that I think will be much cited by students and writers taking a serious look at a type of fiction that reflects problems of modern society perhaps better than any other. My only caveat is that the book definitely reads more like a scholarly treatise than a book on pop culture. It isn't for those interested in a quick fun look at modern crime novel heroines. But anyone wanting a more thorough and thoughtful examination of the subject could hardly find a better resource. This is an excellent addition to the library of anyone with a deep interest in the subject.
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