In this novel of "nail-biting suspense" (The Boston Globe) from #1 New York Times bestselling author Patricia Cornwell, Kay Scarpetta is thrust deep into the dark world of designer drugs, drone technology, organized crime, and shocking corruption at the highest levels. IN DEVELOPMENT AS THE ORIGINAL SERIES SCARPETTA STARRING NICOLE KIDMAN AND JAMIE LEE CURTIS A body, oddly draped in an unusual cloth, has just been discovered inside the sheltered gates of MIT, and it's suspected the identity is that of missing computer engineering grad student Gail Shipton, last seen the night before at a trendy Cambridge bar. It appears she's been murdered, mere weeks before the trial in her $100 million lawsuit against her former financial manager, and Massachusetts Chief Medical Examiner Kay Scarpetta doubts it's a coincidence. She also fears the case may have a connection with her computer genius niece, Lucy. At a glance there is no sign of what killed Gail Shipton, but she's covered with a fine dust that under ultraviolet light fluoresces brilliantly in three vivid colors, what Scarpetta calls a mineral fingerprint. Clearly the body has been posed with chilling premeditation that is symbolic and meant to shock, and Scarpetta worries that the person responsible is the Capital Murderer, whose most recent sexual homicides have terrorized Washington, D.C. In Dust, Scarpetta and her colleagues are up against a force far more sinister than a sexual predator who fits the criminal classification of a "spectacle killer." With unparalleled high-tension suspense and the latest in forensic technology, Patricia Cornwell once again proves her exceptional ability to surprise--and to thrill.
Published by Books. Oxygen. Peanut butter. , 8 months ago
I used to enjoy PC's work ("Body Farm" for example), but this will be my last. I'm 140 pages in and have no idea what's going on. Since I didn't read the previous few stories (I don't need to read fictional accounts of school shootings, thank you very much), I don't know why Marino's situation is changed (or what it's changed into) ... why Scarpetta now reports to Marino ... why she has become so arrogant, condescending and, oddly, religious ... why smartie Benton is discredited ... why, why, why. And since much is constantly made of the back-story on almost every page -- without ANY of these apparently pivotal details -- the book is incomprehensible. (It feels like I'm the only one on the outside of an inside joke.) Many writers do a fine job of creating stand-alone books in a series (e.g., both Kellermans). Cornwell has fallen out of those ranks. Someone got whacked with the ego stick! P.S. At the point I stopped reading this poorly executed work, an agent is stomping around someone else's fresh crime scene -- without permission, comment or interference. Not happening.
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