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Hardcover Endless Things: A Part of ÆGypt Book

ISBN: 1931520224

ISBN13: 9781931520225

Endless Things: A Part of ÆGypt

(Book #4 in the The Ægypt Cycle Series)

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Book Overview

Praise for the AEgypt sequence: "With Little, Big, Crowley established himself as America's greatest living writer of fantasy. AEgypt confirms that he is one of our finest living writers, period." --Michael Dirda "A dizzying experience, achieved with unerring security of technique." -- The New York Times Book Review "A master of language, plot, and characterization." --Harold Bloom "The further in you go, the bigger it gets." --James Hynes "The writing here is intricate and thoughtful, allusive and ironic. . . . AEgypt bears many resemblances, incidental and substantive, to Thomas Pynchon's wonderful 1966 novel The Crying of Lot 49. " -- USA Today "An original moralist of the same giddy heights occupied by Thomas Mann and Robertson Davies." -- San Francisco Chronicle This is the fourth novel--and much-anticipated conclusion--of John Crowley's astonishing and lauded AEgypt sequence: a dense, lyrical meditation on history, alchemy, and memory. Spanning three centuries, and weaving together the stories of Renaissance magician John Dee, philosopher Giordano Bruno, and present-day itinerant historian and writer Pierce Moffitt, the AEgypt sequence is as richly significant as Lawrence Durrell's Alexandria Quartet or Anthony Powell's Dance to the Music of Time. Crowley, a master prose stylist, explores transformations physical, magical, alchemical, and personal in this epic, distinctly American novel where the past, present, and future reflect each other. "It is a work of great erudition and deep humanity that is as beautifully composed as any novel in my experience." -- Washington Post Book World "An unpredictable, free-flowing, sui generis novel." -- Los Angeles Times "With Endless Things and the completion of the AEgypt cycle, Crowley has constructed one of the finest, most welcoming tales contemporary fiction has to offer us." -- Book Forum "Crowley's peculiar kind of fantasy: a conscious substitute for the magic in which you don't quite believe any more." -- London Review of Books "A beautiful palimpsest as complex, mysterious and unreliable as human memory." -- Seattle Times "This year, while millions of Harry Potter fans celebrated and mourned the end of their favorite series, a much smaller but no less devoted group of readers marked another literary milestone: the publication of the last book in John Crowley's AEgypt Cycle." --Matt Ruff "Crowley's eloquent and captivating conclusion to his AEgypt tetralogy finds scholar Pierce Moffet still searching for the mythical AEgypt, an alternate reality of magic and marvels that have been encoded in our own world's myths, legends and superstitions. Pierce first intuited the realm's existence from the work of cult novelist Fellowes Kraft. Using Kraft's unfinished final novel as his Baedeker, Pierce travels to Europe, where he spies tantalizing traces of AEgypt's mysteries in the Gnostic teachings of the Rosicrucians, the mysticism of John Dee, the progressive thoughts of heretical priest Giordano Bruno and the "chemical wedding" of two 17th-century monarchs in Prague. Like Pierce's travels, the final destination for this modern fantasy epic is almost incidental to its telling. With astonishing dexterity, Crowley (Lord Byron's Novel) parallels multiple story lines spread across centuries and unobtrusively deploys recurring symbols and motifs to convey a sense of organic wholeness. Even as Pierce's quest ends on a fulfilling personal note, this marvelous tale comes full circle to reinforce its timeless themes of transformation, re-creation and immortality." -- Publishers Weekly Locus Award finalist John Crowley was born in the appropriately liminal town of Presque Isle, Maine. His most recent novel is Four Freedoms. He teaches creative

Customer Reviews

5 ratings

The Cycle is Not a Circle

After finishing Daemonomania (volume 3 of the Aegypt Cycle), I thought I had some idea of how this tetrology would end. What foolish, foolish thinking! This is Crowley, where the shortest distance between Point A and Point B is not a straight line. In fact, it may be impossible to get from A to B. But - if you could somehow get to B, it may be possible to get to A. There are those things in life which we are sure are true - sometimes they really are. There are those we hope are true - sometimes they really aren't. There are those that aren't true but should be - sometimes we only dream. Through the four volumes we've followed a nebulous storyline, and hoped for understanding. Sometimes understanding is just out of reach. But even if this written story is over, the journey it laid out for us doesn't have to end. This one will stay with me. Oh, Sam, what happened to that shiny .... (Is the Cycle really done?)

Endless Things: The End of Aegypt

First, Endless Things is the final novel in the Aegypt series (The Solitudes, Love and Sleep, Daemonomania). Do not read this novel if you have not read the preceding three. There are two kinds of book series -- those with connected but stand-alone novels (Roth's Zuckerman books, Updike's Rabbit novels) and those that, while published separately, are really one long novel (The Lord of the Rings). Although the Aegypt series falls between these extremes, it is much closer to being the latter type -- one immense novel. Reading Endless Things as a stand-alone is like starting Tolkien's epic with The Return of the King. If you have read the other three, Endless Things may at first seem to be a bit of a let-down. It is not the climax of the series -- it is a coda. This is like a soft diminuendo after the sturm und drang that came before. After the soaring heights of the previous novels, Crowley brings us gently down to earth. The five stars are for the complete Aegypt sequence -- Endless Things simply can not be evaluated alone.

A multifaceted, humanizing, and magnificent sendoff to an epic saga.

The fourth novel and dearly-anticipated conclusion to the Aegypt series, Endless Things finishes the saga of historian Pierce Moffitt, whose far-reaching theory that, at infrequent times, the essential nature of the world alters; for example, a world that is (and always has been) regulated by the laws of physics can suddenly and transform into a world that is (and retroactively, always has been) regulated by the laws of magic. Endless Things wraps up the many side effects of one such transformation that unfolded in the previous novels, yet Pierce's theory of cyclical historical change is ultimately a source of hope - since if the universe itself is capable of endless change, so too are the downtrodden individuals living within it. A multifaceted, humanizing, and magnificent sendoff to an epic saga.

The transforming power of the novel

This book is the final volume of 4 in the Aegypt series written over the last 20 years. It weaves together the story of writer Pierce Moffett's search into the past and a battle in 1614 that changed our world into one in which Descartes' division of subject and object is preserved and magic is banished. Endless Things can be read without the prior volumes but the reader's experience is greatly enriched if the books are read in order. Sections of Endless Things dealing with the present are quick and engaging. The historic chapters are dense, erudite and even more interesting. At bottom, the authors (Moffett, Crowley and Fellowes Kraft) are trying to figure out "why is everything the way it is and not some different way instead?" This leads to a more personal question asked by unsuccessful searcher Moffett: "Why was he what he was and not better?" Along the way, we see an earlier world where alchemy and magic have as much claim to an unknown future as do science and reason. We hear Crowley's conclusion that gods are but stories and that every age must find the stories that correspond to its unique reality. The author creates words which, according to the secret of the Cabala, can change the nature of things. This all can be heavy going at times but Crowley is our best contemporary writer of the fabulous, making the unreal seem a solid basis for a far richer reality. It is worth the reader's effort as he finds how "the gods, angels, monsters, powers and principalities...began their retreat into the subsidiary realms where they reside today, harmless and unmoving, most of them anyway, for most of us, most of the time." At least while you read Crowley, you can feel the sense of wonder you had as a child when possibility was almost endless. Those angels and monsters come briefly alive as the author fights for and embodies the transforming power of language.

The Great Secret

Crowley ends his four-volume novel poignantly and satisfyingly. The theme of the entire book is our knowledge that life is different than it seems--a knowledge inspiring, in our great need, our gods, utopias, spirits, magics, conspiracies, true loves. The ultimate inadequacy of these dreams' every flicker, yet the final truth of the flame, is my flickering take on the message. But, fittingly, life is even more pervasive here than thoughts above life. Much should be compared with his earlier masterpiece Little, Big, the end especially.
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