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Paperback Engravings by Hogarth Book

ISBN: 0486224791

ISBN13: 9780486224794

Engravings by Hogarth

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Format: Paperback

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Book Overview

This book contains 101 of Hogarth's finest and most important engravings, including all the major series or "progresses" "The South Sea Scheme," A Harlot's Progress, "A Midnight Modern Conversation," A Rake's Progress, Before and After, Marriage la Mode, Industry and Idleness, "The March to Finchley," The Four Stages of Cruelty, "Time Smoking a Picture," "Tailpiece," and many more, including ten study sketches and paintings that show how the final works evolved.
Sean Shesgreen, a foremost authority on Hogarth, has consistently selected the best states of the plates to be used in this edition and has carefully introduced them, commenting upon the artist's milieu and the importance of plot, character, time, setting, and other dimensions. A most important aspect of this book, found in no other Hogarth edition, is the positioning of the editor's commentary on each plate on a facing page. With the incredible and sometimes overwhelming amount of detail and action going on in these engravings, this is a most helpful feature.

Customer Reviews

2 ratings

Everyone should know Hogarth

Hogarth is the best. His rich images of the moral underbelly of London are as resonant today as they ever were. The level of draftsmanship is high. The many symbolic details are superb. The plotlines combine moral outrage with lurid vouyerism with smirking satire - Bret Easton Ellis should have spent forty years as a Hogarth scholar before attempting to write his first book. This edition is cheap and large, with commentary that is a pleasure to read. I recommend it to anyone.

Quality Reproductions and Insight into a Bygone Age

The large size of the pages (11X14)allows the reader to appreciate the quality and detail of Hogarth's work. Beyond the artistic merit of the engravings, I have found them to be of great value in understanding England of the 1700's. As it is said, "a picture is worth a thousand words". This is especially true with Hogarth, who was as much a humorist and social commentator as he was an artist. Sean Shesgreen provides the (absolutely) necessary background and explanitory information to understand the pictures.
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