A Feeling for Books: The Book-Of-The-Month Club, Literary Taste, and Middle-Class Desire
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Book Overview
Deftly melding ethnography, cultural history, literary criticism, and autobiographical reflection, A Feeling for Books is at once an engaging study of the Book-of-the-Month Club's influential role as a cultural institution and a profoundly personal meditation about the experience of reading. Janice Radway traces the history of the famous mail-order book club from its controversial founding in 1926 through its evolution into an enterprise uniquely successful in blending commerce and culture. Framing her historical narrative with writing of a more personal sort, Radway reflects on the contemporary role of the Book-of-the-Month Club in American cultural history and in her own life. Her detailed account of the standards and practices employed by the club's in-house editors is also an absorbing story of her interactions with those editors. Examining her experiences as a fourteen-year-old reader of the club's selections and, later, as a professor of literature, she offers a series of rigorously analytical yet deeply personal readings of such beloved novels as Marjorie Morningstar and To Kill a Mockingbird. Rich and rewarding, this book will captivate and delight anyone who is interested in the history of books and in the personal and transformative experience of reading.
Format:Paperback
Language:English
ISBN:0807848301
ISBN13:9780807848302
Release Date:August 1999
Publisher:University of North Carolina Press
Length:448 Pages
Weight:1.42 lbs.
Dimensions:1.3" x 6.1" x 9.2"
Customer Reviews
1 rating
Brilliant and revealing, but neither tight no rigorous
Published by Thriftbooks.com User , 26 years ago
An erudite yet bold and powerfully immediate report on the BOMC's origin and development over six decades, A Feeling for Books is also an intimate document, poignantly tracing the author's relationship to the Club from her adolescence to her maturity. Because Radway is a fine researcher, a skillful reader, and a seasoned introspective, each aspect of her project succeeds on its own terms. But juxtaposed or, more problematically, superimposed, the yields of her various ends, ideas, and methods are neither commensurable nor mutually supportive. Recurrent "lumping" and intermittent incoherencies threaten to defeat Radway's purposes, inviting at least partial scepticism about her hard-won evidence and beautifully teased-out arguments. The reader and the author would have been better served by a division of this work into two books, one a disciplined cultural inquiry into the essence of persistent, unresolved conflicts in the publishing industry, the other a memoir devoted to the discovery and synthesis of the author's own values in a world of flux.
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