Amidst the heraldry of Queen Victoria's Golden Jubilee, a string of brutal murders rocks Britain's upper crust--and threatens the realm itself--in this spellbinding historical mystery series debut Felicity Carrol is interested in everything--except being a proper young matron of Victorian society. Brilliant and resourceful, Felicity took refuge in science and education after her mother died and her father abandoned her to servants. Now, all he wants is for her to marry into a family of status and money. Felicity has other ambitions--but her plans shudder to a halt when her mentor is murdered at the British Museum and his priceless manuscript of King Arthur lore is stolen. Tapping into her photographic memory and the latest in the burgeoning field of forensic detection, Felicity launches an investigation. Handsome Scotland Yard Inspector Jackson Davies is also on the case and finds Felicity as meddlesome as she is intelligent. But when more nobles are murdered and their King Arthur relics stolen, Felicity must journey on her own into the dark underworld of antiquity theft, where she uncovers a motive far more nefarious than simple profit. As the killer sets his sights on a new victim--a charismatic duke who has captured Felicity's imagination--the stakes rise to impossible heights. It's a case that could shake the kingdom in Patricia Marcantonio's series debut, Felicity Carrol and the Perilous Pursuit.
A Heroine To Reckon With And A Long Series, Readers Hope
Published by Dean Miller , 4 years ago
I avoid reviewing stuff I don't enjoy, but I also resist five-star ratings on principal. Only when I'm wowed do I go 5.
And this is a wow.
I read a TON of detective fiction, thrillers and popular fiction and this is the best opening scene I read in 2020, a year in which I read all the Jack Reachers and overall more than 50 novels.
There's a lot to like here: Marcantonio's scenes are cinematic, carrying you along in action that builds your understanding of character.
And what a character is Felicity. Without spoiling things too much, you can't help but be interested in a Victorian woman of means who has no patience for the bon ton and calmly makes her own explosives in an emergency. Honestly, that's not just the best opening of this year, it's my favorite opening scene in years. God, I hope somebody makes a movie of this. Any number of actresses would have great fun playing Felicity or even the other women who play important roles here.
Pace is excellent, just enough exposition to unravel the tricky mystery but not the endless chatter less experienced novelists lard into their stories. Marcantonio is all about showing, not telling.
If you're a fan of period dramas, from Bridgerton to Downtown Abbey, you'll get your kicks plying the streets of London during Victoria's Golden Jubilee. I'm no expert, but the details here seem well-researched. Best of all, they are always in service of plot. I love being reminded just how old parts of London are and what predated Hyde Park, for instance.
The Arthurian legend weaves through this book, along with snippets of the Count of Monte Cristo and other heroes of the realm. You don't need to be an Anglophile or monarchist to love this yarn (Felicity is not), just a reader looking for strong characters and a great plot that includes a little romance, but on Felicity's intellectual terms.
Hurrah for a great launch of a character for our times.
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