This new collection from Michael Knight--PEN/Hemingway citation recipient and B&N Discover Award finalist whom Esquire praises as "a writer of the first rank"--thrills and pierces with stories of men and women of breathtaking conviction, pathos, and humor. The stories in Goodnight, Nobody demonstrate Michael Knights' exquisite and "rare power to make a setting breathe, to invest it with a vitality that seems as authentic and intense as the pulsebeats of his characters." (The New York Times Book Review) This luminous collection astutely explores rediscovered love, reconciliation, and peace amid the trials of everyday life. The denizens of Goodnight, Nobody are, like so many of us, bewildered by the circumstances in which they find themselves. The unexpected twists of their lives--rendered with expert humor and pathos in Knight's dark-light style--test the limits of the personalities they have known as their own. In "Birdland," published in The New Yorker, a beautiful Northerner visits a small Alabama town to research the bizarre migration habits of a flock of African parrots from Rhode Island. "Feeling Lucky" finds a desperate man kidnapping his own daughter. In the most daring and haunting of these stories, "Killing Stonewall Jackson," which was published in Story, a hardened band of Confederate soldiers resorts to surprising measures to survive on the battlefield. "The End of Everything," published in GQ, weaves together a tender love story and an edge-of-your-seat urban legend, while "The Mesmerist," published in Esquire, is an eerie fairy tale about a man who hypnotizes a stranger and makes her his wife. In "Keeper of Secrets, Teller of Lies," published in Virginia Quarterly Review, a man causes more havoc the harder he tries to help a young mother and her son. In "Mitchell's Girls," a stay-at-home dad battles the disrespect of youth and a paralyzing bad back. "Ellen's Book" hilariously describes the yearning a man feels for his estranged wife. In "Blackout," a suburban neighborhood's pent-up jealousies and fears explode under the cover of darkness. Knight's sensibility is potent and unique, stirring tenderness in equal parts with violence. While the settings, chronologies, and characters vary widely throughout the collection, they remain bound by Knight's simple, elegant prose, his graceful sense of humor, and an unfailing empathy with the self-destructed.
This is an unusual and deeply beautiful collection. The language is fantastic, and all the stories are rollicking and resonant. The story "Ellen's book is a lesson in how to write a perfect, poignant short story. "Goodnight, Nobody" was my book club's favorite last year--don't miss it!
Exquisite Writing, Insight
Published by Thriftbooks.com User , 21 years ago
I loved Birdland in the New Yorker and the New Stories From the South, and when I saw that Knight had published a collection with Birdland included, I was thrilled. The rest of the stories were just as good. Unlike some of the up and coming male Southern writers, Knight doesn't simply resort to what reviewers call "muscular prose" with gleeful enthusiasm, an excitement I do not share. Knight's writing goes beyond whores and guns and dogs. It's insightful, aware, poetic, and the stories never fail to move me. I think this author has been overlooked, and I hope this collection gets him the recognition he deserves.
Beautiful, inventive collection
Published by Thriftbooks.com User , 21 years ago
Every story in this collection is fantastic. "Killing Stonewall Jackson" is just freakishly great, and "Ellen's Book" is a study in how to write an inventive, poignant, short story. (Read it and learn how to regard the epiphany in fiction.) This is the best collection of the year.
A Collection of Gems
Published by Thriftbooks.com User , 21 years ago
Knight combines wonderful characters and incredibly tight plotting in these compelling tales. The stories are sprinkled with moments of sadness, hope, and grace. This is an author to be enjoyed and studied.
Knight Dazzles Again.
Published by Thriftbooks.com User , 21 years ago
I loved Knight's previous collection, Dogfight, and I'd run across a couple of these stories in Esquire and GQ, but reading all his new stories together made it clear that he's one of the masters of the form. "Birdland" blows me away everytime I read it and "Killing Stonewall Jackson" rises to the level of myth that only Barry Hannah can reach. I don't know how Knight pulls them off, but he does--with heart, humor and fire. If short stories are your thing, this book is a must have.
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