"Up to this year I have always felt that I had no particular call to meddle with this subject....But I feel now that the time is come when even a woman or a child who can speak a word for freedom and humanity is bound to speak." Thus did Harriet Beecher Stowe announce her decision to begin work on what would become one of the most influential novels ever written. The subject she had hesitated to "meddle with" was slavery, and the novel, of course, was Uncle Tom's Cabin. Still debated today for its portrayal of African Americans and its unresolved place in the literary canon, Stowe's best-known work was first published in weekly installments from June 5, 1851 to April 1, 1852. It caused such a stir in both the North and South, and even in Great Britain, that when Stowe met President Lincoln in 1862 he is said to have greeted her with the words, "So you are the little woman who wrote the book that created this great war " In this landmark book, the first full-scale biography of Harriet Beecher Stowe in over fifty years, Joan D. Hedrick tells the absorbing story of this gifted, complex, and contradictory woman. Hedrick takes readers into the multilayered world of nineteenth century morals and mores, exploring the influence of then-popular ideas of "true womanhood" on Stowe's upbringing as a member of the outspoken Beecher clan, and her eventful life as a writer and shaper of public opinion who was also a mother of seven. It offers a lively record of the flourishing parlor societies that launched and sustained Stowe throughout the 44 years of her career, and the harsh physical realities that governed so many women's lives. The epidemics, high infant mortality, and often disastrous medical practices of the day are portrayed in moving detail, against the backdrop of western expansion, and the great social upheaval accompanying the abolitionist movement and the entry of women into public life. Here are Stowe's public triumphs, both before and after the Civil War, and the private tragedies that included the death of her adored eighteen month old son, the drowning of another son, and the alcohol and morphine addictions of two of her other children. The daughter, sister, and wife of prominent ministers, Stowe channeled her anguish and her ambition into a socially acceptable anger on behalf of others, transforming her private experience into powerful narratives that moved a nation. Magisterial in its breadth and rich in detail, this definitive portrait explores the full measure of Harriet Beecher Stowe's life, and her contribution to American literature. Perceptive and engaging, it illuminates the career of a major writer during the transition of literature from an amatuer pastime to a profession, and offers a fascinating look at the pains, pleasures, and accomplishments of women's lives in the last century.
Joan Hedrick's biography of Harriet Beecher Stowe is first rate. It is masterful in the way it tells the story of a prolific author whose life spanned most of the 19th century (1811-1896). What is even better is the way Hedrick places Stowe within the contexts of some of the most dynamic strands of American history and literature in this period: religious perfectionism, the anti-slavery movement, the development of professional authors, women's suffrage, the consumerism of the Gilded Age, and the increase in influence of "high" culture, among others. And, of course, there is Stowe's membership in the wonderful extended Beecher family, including her father, the famous preacher and theologian; her sister Catherine, the educator; her half-sister Isabella, the suffragist; her preacher brother Henry Ward, the subject of a famous scandal. These individuals, along with the long-suffering (and occasionally jealous) Calvin Stowe, her husband, appear and disappear like comets on the pages of this book. One of the things I most enjoyed is Hedrick's discussion of how Stowe, one of the first women to make a living from her writing, ordered her life in order to make that writing possible. That she produced any work at all from the domestic disorders represented by seven children, scant income, frequent moves (related to Calvin's career as a theologian), and illness, not to mention political turmoil, is a miracle. This is a scholarly biography, unlikely to appeal to a reader who simply wants to learn a bit more about this compelling woman. However, if you have a particular interest in the period, Hedrick's biography will set you down right in the midst of the turmoil, domestic and historic, that characterized Harriet Beecher Stowe's life. There are, in addition, a well-chosen set of photographs, extensive endnotes, and a fine bibliography. M. Feldman
A Wonderful Biography, A Wonderful History
Published by Thriftbooks.com User , 20 years ago
I'm very glad that some of the negative reviews didn't put me off this book. It is not only a wonderful biography of the life of this great author, but it is an excellent history of so much of the 19th century. Mind you, it's not light, summertime reading. I liked to read a chapter a night, because there was so much to savor and think about. I learned a tremendous amount about life in that time, (how did any of our ancestors survive long enough to bring us into the world?), and about everything from the anti-slavery movement, to women's rights, to the religious fervor of the day. It provided a comprehensive look at the development of a nation and a national character. Of course, the centerpiece of it all is Mrs. Stowe, and she really came alive for me. The author makes good use of letters, so Mrs. Stowe, her family and friends can speak for themselves. And what a family it was! The famous Beecher clan in all its glory! Through the development of Mrs. Stowe's writing, we also see a change in how literature was viewed. From "Parlor Literature" which led to "Uncle Tom's Cabin" being read by all classes, it eventually became divided into high-class versus popular...what was critically acclaimed as opposed to what the people liked. It's a division that persists to this day, and led to Mrs. Stowe's masterpiece eventually being devalued as just melodramatic women's writing. I think this is a first-class biography and history. There's a reason why it won the Pulitzer Prize for biography. It will stand as the definitive biography of a great author and a great lady.
Highly recommend
Published by Thriftbooks.com User , 21 years ago
This is an excellent scholarly biography of Stowe, wonderfully researched and clearly written. Hedrick quotes generously from Stowe's letters, so the reader gets a feel for her voice and those of her family members. She puts Stowe's life in context beautifully, so besides being a great biography, it's also an excellent source on 19th-century millenialist, abolition, and suffrage movements and on the case of women writers & canon formation. Anyone who has read and liked Mary Kelly's Private Woman, Public Stage will like this book, too. My only complaint is that the end rushes in -- Hedrick covers something like 14 years in the last chapter. Granted much of this time Stowe seemed to be developing Alzheimer's, but I would have liked a bit more detail. What was she doing in her lucid periods? What was her feminist sister Isabella doing and how did Stowe's youngest ne'er-do-well son go from a ship's boy to a Harvard student? These are quibbles, though. In fact, one of the things I most like about this book is that Hedrick doesn't supply information when there isn't any to be found. There's very little speculation here, no inappropriately imagined scenes, no "Stowe must have thought" or "Stowe must have done." For Hedrick, either it happened or it didnt; she knows the difference between a biography and a novel.
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