Images of Myths in Classical Antiquity

This is an exception, easy to read scholarly effort. In fact it is a text in one of my graduate art history classes. This is evidence that instruction can be clear and free of obtuse jargon. Thank you SO much!

It was a pure pleasure to read through Susan Woodford's book "Images of Myths in Classical Antiquity". If you've ever gone to an art exhibit and wondered how anyone could identify which myth the artist is painting or wondered what you're missing, this book is for you. In this book, the author describes how ancient Greek and Roman artists and artisans told "graphic "stories, something akin to "graphic novels" which have recently become quite popular. The book also goes over the different myths and other stories commonly known to the Greeks and Roman, so that you can more easily recognize them when they show up. Although it becomes very clear early on that it takes a PhD course of study to really become an expert in this area, there are many basics that Woodford teaches that should immensely increase your appreciation and enjoyment of art from any age that makes use of Greek myths and legends. (Most of the gods and heroes and others depicted in Greek pottery are actually labeled! --I never knew that) The text is extremely well written, containing 17 short themes in which she examines several specimens in depth. One prior reviewer makes a big deal about the black and white photography--he's missing the point. With almost 200 high quality illustrations and images of ancient Greek and Roman pottery and statuary, Woodford has put together a gorgeous book.

I really love this book! Although my interest in Greek pottery inspired me to order it, I have discovered that it is also an excellent way to learn and remember the associated myths. The author, Susan Woodford, has wonderful academic and professional credentials, yet the text is written in clear English. I feel very lucky to have stumbled onto her work.

The book is incredibly well written and fascinating to read. I read her entire book on Trojan war art after having only one chapter recommended. For an academic, the author's writing is fresh, jargon free, and easily understood.