Winner of the Vassar Miller Prize in Poetry, 2013.
Trying to make sense of a disordered world, Stefanie Wortman's debut collection examines works of art as varied as casts of antique sculpture, 19th-century novels, and even scenes from reality television to investigate the versions of order that they offer. These deft poems yield moments of surprising levity even as they mount a sharp critique of human folly.
"These poems seem haunted by a mostly nameless melancholia. In The Permanent Collection, however, turns its grim geography of prisons, mortuaries, and tawdry suburbs into something close to classical elegy. 'In sunken rooms, ' Wortman writes, 'on scratchy rugs, maybe we've never known happiness.' It's that 'maybe'--the smart hedge--that renders her poems complex, often beguiling, but never without a gesture of redemption. This should be part of any serious poet's permanent collection."--Chad Davidson, author, The Last Predicta and judge
From "Long Occupation"
I was na ve of foreign affairs in the Four Seasons bar when a Swiss knife maker assured me of the coming war. . .
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