When Matisse and Picasso first met in the spring of 1906, Matisse was already crowned "King of the Fauves" and Picasso was poised to challenge the leadership of the avant-garde. Although the two... This description may be from another edition of this product.
This book is more than a handbook to go along with the recent Matisse/Picasso exhibition. It provides a lot of useful insights into the work of both artists, and by contrasting their approach and development, it brings out ideas about the nature of each. If you're like me and want your art history to focus on an analysis and understanding of what the artist was about and why his work is significant, you'll find this book to be very worthwhile. You'll come away from it knowing more about Matisse and Picasso than you did before, and your understanding of the works discussed will be deeper.Having said that I found that the insights came thicker toward the beginning of the book than later on. I suppose that the interaction between the two was most intense when they were younger (the book progresses chronologically) and still developing than it was later on, when they had both developed their ideas more and were perhaps a little less jealous and competitive. The nature of their mutual influence simply changed over time, and the book reflects this. The last chapter, on Picasso's extended response to Matisse's death, is quite moving.The book focuses very closely on the pictures in the show, and discusses them only as examples of this mutual influence. Sometimes this creates a slightly odd effect, as a painting is not analyzed in full, but only to the extent that it reveals the other's impact. One would sometimes like to know more about a painting than that, and to see it in a broader context; such is not the nature of the book, however.These are very minor quibbles though, as the book is insightful and informative and contains some very good reproductions. It is also brief and briskly written, and I recommend it whether you've seen the show or not.
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