There has long been a need for an accessible, comprehensive--and affordable--single-volume life of Swift. This thoughtful, judicious biography promises to fill that need for our generation. Few author's reputations have fluctuated as wildly as Jonathan Swift's. From the beginning, critics and biographers divided into two camps--one hailing a champion of liberty, the other reviling a sadistic misanthrope. For years, moreover, an understanding of Swift's life was clouded by legends of his madness and mysteries surrounding his romantic attachments. Modern scholarship had swept all of this away, however, giving us a much sounder factual basis for comprehending the man's life and work. David Nokes portrays the author of Gulliver's Travels in his multifarious roles as satirist, politician, churchman, and friend. Combining the latest findings of Swiftian scholarship with an astute critical eye, he restores a proper balance between the specialist critics who have overemphasized specific themes or genres in Swift's work and the generalist critics who have missed many of the particularities of Swift's ironies. In so doing, Nokes gives us a biography very much in the spirit Swift himself endorsed: "a conservative humanism which saw specialisation as a first dangerous step towards that distorted simplification of complex human phenomena which characterized the views of all factions and fanatics." About the Author: David Nokes is Lecturer in English at King's College, the University of London.
Though remembered today mainly as the author of Gulliver's Travels (Penguin Classics), Jonathan Swift was known to his contemporaries for much more than that. In this biography, David Nokes details the span of Swift's eventful life, from his childhood in Dublin to his time as a propagandist and disappointed placeseeker in England, through to his later years as an author and Dean of St. Patrick's Cathedral in Dublin. The Swift that emerges from these pages is a frustrated man, filled with disappointment at receiving less than his perceived due. Yet such disappointment provided the acidic edge to the satirical writings that made him famous from his day to ours. Nokes's biography is an admirable study of Swift's life and times, one that attempts to penetrate the mystery that surrounded much of his life. He does not hesitate in hypothesizing about the many decisions he made and speculating on such persistent questions as his possible marriage to Esther Johnson. Though Nokes does not address every work that Swift produced, he does analyze his subject's major writings for the insights they possess into Swift's personality and views. He supports his arguments with frequent quotes from his subject's many works, though reading the book alongside a collection such as Major Works (Oxford World's Classics) as a supplement helps to understand Swift better still, as well as providing exposure to some unjustly neglected writings from this great author. For anyone seeking a perceptive study of Swift's life that is more digestible than Irvin Ehrenpreis's monumental three-volume study, this is the book to read.
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