Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned ""race"" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world. But influencing the development of music wasn't what these record-label owners had in mind; they were just trying to earn a living. Today, when most of the independent record labels have gone under or have been gobbled up by big conglomerates, the music they produced on primitive equipment remains fresh -- and bigger than life. Little Labels -- Big Sound tells with verve and affection the story of the people and the small homegrown companies who gave America its beat.
I bought this book after buying Mr. McNutt's "Too Hot to Handle," a thoroughly researched and fascinating book designed like a fanzine for we small-time studio fanatics. "Little Labels" did not disappoint. Like his other book, this one has many, many interviews with the label owners, engineers, and musicians. Very few writers today take the time to go to the scene and interview the people who were involved. I appreciate this book so much because Mr. McNutt and Mr. Kennedy do take the time to find the people who made the sounds. I didn't grow up on this music, but I have learned to love it. Give it five stars!
Good Book
Published by Thriftbooks.com User , 22 years ago
Great insight into the workings of old independent labels. I enjoyed the book thoroughly. I hope the publisher will bring out a Vol. 2. Next time, the writers could do some even smaller ones!
Loved this book!
Published by Thriftbooks.com User , 23 years ago
Reading this book has given me a new appreciation of the struggles of independent record company owners over the years. The chapter on King Records is worth the price of the book. The writers have carefully researched some important labels, picking their favorites--Gennett is very fascinating to me personally. I hope that a record company will release some old material based on this book. I hope the writers will consider a sequel.
Great storytelling
Published by Thriftbooks.com User , 24 years ago
This is an interesting and detailed book about the early days of the recording industry when non-giants operated record label companies. For music enthusiasts and record collectors this is a must read. Kennedy's other book on early jazz is a fascinating, humorous and educational look into those early jazz recordings.
A terrific book. Will be in print for years.
Published by Thriftbooks.com User , 25 years ago
This book tells what it was like to operate a small record label in the heyday of indie recording.
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