Make Your Words Work

Most books about writing tell you to do this and that. But you really don't understand how. This book take you down to the ground with writing well in many aspects. Sometimes it is things you already know if you are a writer with some experience, but you feel proud to how found out that yourself because he writes so nice. But mostly you really understand how to make the manuscript better in a lot of aspects. I have now read the book and a lot of my writing friends here in Sweden are eager to borrow it from me before they buy their own copy.

"Our English teachers were well-meaning, most of them, but they were hired to teach us good grammar, not good writing." - Gary Provost Make Your Words Work is one of those books you're hesitant to pick up, thinking you're going to be bored with grammar, and instead find a delightful, informative read. But don't take my word for it - listen to Provost himself: "Do you know what modal auxiliaries are? Can you explain the difference between determiners and adjectivals? I sure as heck can't, and I've sold sixteen books and a thousand short pieces." Provost writes with a breezy, personal style, always clear and concise and often witty. It's as much about non-fiction as fiction, so you get a well-rounded set of tools you can adapt to any project you tackle. Provost also knows to avoid the tedium of long stretches of text, and so he breaks up each chapter into sections just a page or two long, with exercises, Coffee Breaks, and examples from TV and movies added in as well. It also doesn't hurt that the print is large and the layout easy to read, or that many of the chapters first appeared in Provost's articles for Writer's Digest. Many books on writing just go on and on about vague topics like Theme, all airy philosophy, but Provost caters to none of that. He cuts the chatter and gives you what you need. It's the difference between a professor lecturing on the role of photography in the modern world and an actual photojournalist taking you out to a baseball game and saying, "This is how you set the shutter speed, and for sports you want it at 1/500th to freeze the action." For an example of that, take Chapter Thirteen, on Tension. He starts with Find Tense Words (words of delay, danger, urgency, and fear, with examples of each), then teaches you how to Arrange Sentences with Tension in Mind - "That's a nice enough little paragraph. There's nothing terribly wrong with it, but there's no tension in it because it answers all your questions before you have a chance to ask them." Next he moves onto how to Milk the Tension (with exercises), and then brings up Tension in Non-Fiction, Surface Tension - "With description, remember that a tree is a lot more interesting if there might be an Indian hiding behind it," and finally tops it off with Pulling the Tension Cord. And it's the same with each chapter, from Music to Pace to Voices to Viewpoint. In the end, the book comes off like an informal, one-to-one talk with someone willing to share their many years of experience in the fields of both fiction and non-fiction. So grab some coffee and sit down with Gary - you'll enjoy the visit. P.S. The book deserves this reprint, but that cover with the old computer paper with columns of numbers and some lunky gear lying on top makes no sense. In the earlier WD edition (which I posted the cover of) there's a sketch of three gears, interlocked, showing not only the nuts `n bolts subject matter, but how each piece connects with each other to get your w

"Our English teachers were well-meaning, most of them, but they were hired to teach us good grammar, not good writing." - Gary Provost Make Your Words Work is one of those books you're hesitant to pick up, thinking you're going to be bored with grammar, and instead find a delightful, informative read. But don't take my word for it - listen to Provost himself: "Do you know what modal auxiliaries are? Can you explain the difference between determiners and adjectivals? I sure as heck can't, and I've sold sixteen books and a thousand short pieces." Provost writes with a breezy, personal style, always clear and concise and often witty. It's as much about non-fiction as fiction, so you get a well-rounded set of tools you can adapt to any project you tackle. Provost also knows to avoid the tedium of long stretches of text, and so he breaks up each chapter into sections just a page or two long, with exercises, Coffee Breaks, and examples from TV and movies added in as well. It also doesn't hurt that the print is large and the layout easy to read, or that many of the chapters first appeared in Provost's articles for Writer's Digest. Many books on writing just go on and on about vague topics like Theme, all airy philosophy, but Provost caters to none of that. He cuts the chatter and gives you what you need. It's the difference between a professor lecturing on the role of photography in the modern world and an actual photojournalist taking you out to a baseball game and saying, "This is how you set the shutter speed, and for sports you want it at 1/500th to freeze the action." For an example of that, take Chapter Thirteen, on Tension. He starts with Find Tense Words (words of delay, danger, urgency, and fear, with examples of each), then teaches you how to Arrange Sentences with Tension in Mind - "That's a nice enough little paragraph. There's nothing terribly wrong with it, but there's no tension in it because it answers all your questions before you have a chance to ask them." Next he moves onto how to Milk the Tension (with exercises), and then brings up Tension in Non-Fiction, Surface Tension - "With description, remember that a tree is a lot more interesting if there might be an Indian hiding behind it," and finally tops it off with Pulling the Tension Cord. And it's the same with each chapter, from Music to Pace to Voices to Viewpoint. In the end, the book comes off like an informal, one-to-one talk with someone willing to share their many years of experience in the fields of both fiction and non-fiction. So grab some coffee and sit down with Gary - you'll enjoy the visit.

The fact that this book is out of print is a true indicator of how corrupt and twisted the "how to write" publishing industry really is. Why? Because this is the only writing book you'll ever need. So if you had it, you wouldn't have to spend your money on books like "How to write a best-selling novel in 5 minutes" or "YOU can write a classic," or other such stupid "guides," which usually are written by authors who have nothing else to their credit. Why read a book that claims it will show you how to write a best-seller, when the author himself hasn't written a best-seller? Gary Provost doesn't claim that he'll help you write a best-seller, he merely claims that he will help make you a better writer. And if you read the book, follow his instructions, and practice, you will become one. Provost wasn't a best-seller himself, and most of his books are out of print, but that doesn't matter. What matters is, he knew what makes good writing, and what makes writing work. And more importantly, he knew how to TEACH these principles. Hopefully one day this will be back in print. Until then, scour the used bookstores until you find a copy. You will be very glad you did.

the late gary provost understood and could communicate the power of words better than any teacher i know of, and, believe me, i've sat at the feet of many. a sensational guide that actually WORKS, do anything you can to obtain a copy.