All the suspense, shocks, kicks, and titilation of yesterday's pulp magazines returns with a vengeance in these pages. Action-packed stories featuring hit men, underworld bosses, rogue cops, private... This description may be from another edition of this product.
The Mammoth Books do a fine job in their respective categories, however, this collection surpasses them all. It is perfectly conceived with representative stories from the masters of the noir/hardboiled style as well as underappreciated authors who created a few gems. Black Pudding by David Goodis is remarkable and probably my favorite in the collection, but it really is hard to pick a favorite since there are so many stories. The best part is that each story stands on its own and they don't start running into each other. Long after you put the book down, you will remember each story.
Packed Full of Pulp
Published by Thriftbooks.com User , 23 years ago
"The Mammoth Book of Pulp Fiction" certainly lives up to its name. Containing 32 stories and nearly 600 pages of text, it is packed full of hard-boiled crimes taless, many of them superior in quality. The best include, but are not limited to, "A Candle for the Bag Lady," a fine early Matthew Scudder tale by Lawrence Block; "So Dark for April," an excellent moody P.I. story by Howard Browne; "Stacked Deck," a masterful caper tale by Bill Pronzini; "We're All Dead," a heist-gone-wrong story by Bruno Fischer; plus a couple of good tales by the MacDonalds, Ross and John D.On the downside, there are no author introductions for the individual stories to provide them context. Nor are all of the stories first rate. A couple of them veer into the supernatural, which doesn't seem to fit the theme. They range in time period from the early 1930s to the mid-1990s but are not chronologically sequenced. Nevertheless, as a reader you can certainly pick and choose, making this collection worthwhile for any fan of hard-boiled short crime fiction.
Variety is the spice of life
Published by Thriftbooks.com User , 24 years ago
This book is filled with great little stories, each of which are pure art in their own way. Forget deep analysis, forget reading into heavy plot lines and meaning-drenched narrative, this book is good-old fashioned, great story-telling. And what makes it even greater is juxaposing current "political correctness" with the raw narrative of the old days. Sure, some of the stories don't cut it, but those that do will make you wish it was 1944 all over again.
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