Meaning in the Visual Arts
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Book Overview
Since its original publication, Erwin Panofsky's Meaning in the Visual Arts has been standard reading for students of art history. It is both an introduction to the study of art and, for those with more specialized interests, a profound discussion of art and life in the Middle Ages and Renaissance. Panofsky's historical technique reveals an abundance of detail, detail he skillfully relates to the life and work of individual painters and their times. The papers in this volume represent a cross-section of Panofsky's major work. Included are selections from his well-known Studies in Iconology and The Life and Art of Albrecht D rer, plus an introduction and an epilogue--"The History of Art as a Humanistic Discipline" and "Three Decades of Art History in the United States: Impressions of a Transplanted European"--as well as pieces written especially for this collection. All display Panofsky's vast erudition and deep commitment to a humanistic conception of art and art history.
Format:Paperback
Language:English
ISBN:0226645517
ISBN13:9780226645513
Release Date:March 1983
Publisher:University of Chicago Press
Length:384 Pages
Weight:1.35 lbs.
Dimensions:1.1" x 6.0" x 9.0"
Customer Reviews
2 ratings
Essays by a great scholar in the field
Published by Thriftbooks.com User , 20 years ago
Panofsky was one of the great founding fathers of Art History. His studies in Iconology opened up a whole new way of reading meaning into works of Art. In this work he combines masterful scholarship with great theoretical innovativeness to provide his own reading of the world of Art. Though his systematic approach can at times feel abstract he nonetheless continually gives the sense that the understanding of works of Art is an intellectual adventure of the highest order and of the most profound meanings.
A masterpiece in Art History
Published by Thriftbooks.com User , 24 years ago
This book is a collection of different papers written by Panofsky during the years of his exile in America. Their content is often technical and hard to read, but some of them (like the one about the meaning of Poussin's and Guercino's "Et in Arcadia Ego" and the last one about the History of Art in America) are brilliant and sometimes even funny. This is one of the first book I've read about "iconology" and (together with the book about Duhrer's Melancholy) has made me falling in love with Art History. I think that this book is one of the best results of the interaction between different cultures (here, European and American).
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