This sequel to Contemporary Cinematographers on Their Art offers in-depth conversations with some of the most important cinematographers working in film, television and commercials today. It includes younger cinematographers who have recently made their mark as well as icons of this craft. The conversations cover all aspects of cinematography from pre-production planning to post-production, special effects, underwater photography, and second unit. Each interview gives a behind-the-scenes look at how some of the most popular shots in films and television were lit and captured. Like its predecessor, this book explores the tools, trends, personalities, and professional achievements of contemporary cinematographers, highlighting the behind-the-scenes struggles of the business of making motion pictures. Each chapter delves into the personal challenges, political proprieties, inter-departmental interactions, and artistic achievements of the artists who bring scripts to life through their choice of cameras, lights, lenses, filters, gels, and other supporting equipment.
A follow up to the author's first book, this continues the style of the first and is every bit as good.DP's interviewed are: 2nd Unit DP Mike Benson (Sliver, Volcano), Peter James (Driving Miss Daisy), Daryn Okada (Lake Placid), TV DP Neil Roach (Of Mice and Men), Commercial DP Ward Russell (Days of Thunder), Nancy Schrieber (Blair Witch Hunt), John Schwartzman (Pearl Harbour), Dean Semler (Dances With Wolves), Dante Spinotti (Heat), Ueli Steiger (Godzilla), and Vilmos Zsigmond (Bonfire of the Vanities).Unlike the previous reviewer, I think this book is worth it. There are always going to be great DP's missed out (the author apologises for some who didn't make the first volume, due to unfinished interviews), but that just allows for future volumes. However he is correct about the cover ... the image shown here lists far more names than actually made it, and is different in that respect from the cover of my copy.
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