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Paperback Music Through the Eyes of Faith Book

ISBN: 0060608625

ISBN13: 9780060608620

Music Through the Eyes of Faith

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Format: Paperback

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Book Overview

"Christian musicians know of the obligation to make music as agents of God's grace. They make music graciously, whatever its kind or style, as ambassadors of Christ, showing love, humility, servanthood, meekness, victory, and good example . . . Music is freely made, by faith, as an act of worship, in direct response to the overflowing grace of God in Christ Jesus."

Co-sponsored by the Christian College Coalition, this thought-provoking study of music-as-worship leads both students and experienced musicians to a better understanding of the connections between music making and Christian faith.

"Christian music makers have to risk new ways of praising God. Their faith must convince them that however strange a new offering may be, it cannot out-reach, out-imagine, or overwhelm God. God remains God, ready to swoop down in the most wonderful way, amidst all of the flurry and mystery of newness and repetition, to touch souls and hearts, all because faith has been exercised and Christ's ways have been imitated. Meanwhile, a thousand tongues will never be enough."

Best relates musical practice to a larger theology of creation and creativity, and explores new concepts of musical quality and excellence, musical unity, and the incorporation of music from other cultures into today's music.

Customer Reviews

2 ratings

be prepared to think

A thorough philosophy of the art of music from a Christian perspective.

A MUST HAVE FOR THE CHURCH...

This book is an exciting and prophetic look at the music of the Church. Whether or not you are directly affiliated with a church music program, you need to read this book!! Harold Best masterfully deals with topics relevant to the Contemporary Church around the world from a biblical, historical, and academic position.This book is not to equate music with worship, for this is a big mistake that the author intentionally avoids. However, in order to move forward in our thinking and theology of formal community worship, we need to remove music from the discussion and examine it thoroughly on its own. It is at this point that we can begin to see how our worship fits together. Best's book masterfully does this on many levels.
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