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Paperback Naked City Book

ISBN: 0306812045

ISBN13: 9780306812040

Naked City

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Format: Paperback

Condition: New

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Book Overview

Weegee was among the first to fully realize the camera's unique power to capture split-second drama and exaggerated emotion. But his profound influence on other photographers, most famously on Diane Arbus, derives not only from his sensational subject matter and his use of the blinding, close-up flash, but also from his eagerness to photograph the city at all hours, at all levels: coffee shops at three in the morning, hot summer evenings in the tenements, debutante balls, parties in the street, lovers on park benches, the destitute and the lonely. No other photographer has better revealed the non-stop spectacle of life in New York City.Weegee's first book, Naked City (1945), was a runaway success and made him a celebrity who suddenly had assignments from Life and Vogue. By the publication of his second book, Weegee's People (1946), he had cut the wires to his police radio and had begun to photograph the furred and bejeweled grandes dames at the Metropolitan Opera as well as his beloved street people. Naked Hollywood (1953) and Weegee by Weegee (1961) feature portraits of Marilyn Monroe, Andy Warhol, John F. Kennedy, Nikita Khruschev, and Liberace -- many of them viewed through the distorted lens of his Weegee-scope.Regarded as some of the most powerful images of twentieth-century photography, Weegee's work now resides in the permanent collection of the Museum of Modern Art.

Customer Reviews

2 ratings

Reprint of historic photobook from the 40s

This is a small-format (non-coffee-table) book containing a representative selection of Weegees typical photos of New York tragedies (mostly) of the 20s, 30s and 40s, together with his own cryptic comments. Not to everyone's taste, but an iconic social document of the place and times.

How they lived...and died

A fine selection of Weegee's unposed, spontaneous vignettes of life in the city, at least, as it was in the 30's and 40's, equivalent of today's TV "fuzz and the wuzz". His accompanying commentary, unghosted and punchy, mirrors the b/w images; snappy, to the point. The paper stock used here is cheap, but then, these photos usually appeared in the morning paper...in a time when there were newspapers.
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