"Mysticism, horror, and racial identity merge fluidly in this thrilling tale of love, obsession, and power" (Publishers Weekly) written by one of the lesser-known literary figures of the much-lauded Harlem Renaissance. Pauline Hopkins is considered by some to be the most prolific African-American woman writer and the most influential literary editor of the first decade of the twentieth century, and Of One Blood is the last of four novels she wrote. Mixed-race medical student Reuel Briggs doesn't give a damn about being Black and cares less for African history. When he arrives in Ethiopia on an archeological trip, his only interest is to raid as much of the country's lost treasures as possible so that he can make big bucks on his return to the States. The last thing he expects is to be held captive in the six-thousand-year-old buried city of Telassar, ruled by the beautiful Queen Candace. In Queen Candace's glittering palace, surrounded by diamonds, rubies, sapphires--wealth beyond his wildest dreams--Reuel discovers his true Blackness and the painful truth about blood, race and the "other half" of his history which has never been told. Relevant, thought-provoking, and entertaining, Hopkins's novel is intended, in her own words, to "raise the stigma of degradation from the Black] race" and its title, Of One Blood, refers to the biological kinship of all human beings.
In "Of One Blood" the author enlightens the reader about Ethiopian history(especially in 1903 when very few in America knew anything about African history)while educating African Americans of her time about a larger African world and a deep historical past. Critics have attempted to shoot her down with arrows called "Afro-romanticsm" and "Afrocentrity". Some have tried to negate her achievement by saying that by simply paying homage to Ethiopia's historical achievements in technology, culture, and literature she was advocating for 19th century Darwinistic values that said technology measured a civilization's progression. This is unfair, because Darwin did not invent that concept: power (be it technological or cultural) is revered throughout the world. By such a rationale, then any person of African descent cannot talk about technological achievements of Africans without being a victim of Darwinist ideals. There is only one truth...technology is impressive, and it will always be this way. Thus for Hopkins to want to acknowledge African achievements and educate her readers she is not saying ALL civilization should be measured by these standards, but that technological achievement is a part of the African past just as it is a part of other cultures. Her reason for focusing on Ethiopia is most related to the dominate African American religion, Christianity, and Ethiopia's pre-Roman Christian heritage.
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