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Paperback Performing Live: Aesthetic Alternatives for the Ends of Art Book

ISBN: 0801486505

ISBN13: 9780801486500

Performing Live: Aesthetic Alternatives for the Ends of Art

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Format: Paperback

Condition: Very Good

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Book Overview

Current philosophies of art remain sadly dominated by visions of its end and lamentations of decline. Defining the very notions of art and the aesthetic as special products of Western modernity, they suggest that postmodern challenges to traditional high culture pose a devastating danger to art's future. Richard Shusterman's new book cuts through the seductive confusions of these views by tracing the earthy roots of aesthetic experience and showing how the recent flourishing of aesthetic forms outside modernity's sacralized realm of fine art evince the persistent presence of an artistic impulse far deeper and more durable than the modernist moment. Performing Live defends the abiding power of aesthetic experience by exploring its diverse roles, methods, and meanings, especially in fields marginal to traditional aesthetics but now most vibrantly alive in today's culture and new media. Ranging from rap, techno, and country music to cinema, cyberspace and urban design, Shusterman develops his radical theory of "somaesthetics," charting the complex network of bodily arts so prominent in contemporary life and self-styling. By blending concrete aesthetic analysis with insightful social critique, Shusterman, a well-known pragmatist philosopher, provides a rich menu and critical guide for today's pursuit of the art of living.

Customer Reviews

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Pragmatically Original

This is a very exciting and well-written book. Shusterman develops his pragmatist perspective on the themes of aesthetic experience, urbanism, popular art and the new media. There are also illuminating analyses of multiculturalism, style, and body culture. The philosophically most original part of the book may be the two new studies that elaborate his ground-breaking theory of somaesthetics -- a body-mind discipline of theory and practice. But my favorite chapters were those on urban aesthetics, style, and genius that combine strong argument with evocatively lyrical, personal writing. Three of the book's 10 chapters are based on earlier work from his Pragmatist Aesthetics, but they help complement the brand new chapters to turn the book into a very sustained, compelling argument. It all flows together like a great CD.
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