A ground-breaking book in Picasso scholarship in which Elizabeth Cowling presents a fresh, lucid and detailed analysis of the controversial subject of style in Picasso's work up to the outbreak of World War II. Showing how Picasso drew on the work of other artists and events in his own life and times, she reveals how Picasso consciously manipulated style to convey meaning. Well known as an authority on Picasso, the author has spent nearly ten years researching and writing this major new synthesis. Combining biography, historical background and masterful analysis into a fluent and enthralling narrative, it is full of fresh insights into Picasso's methods and motives, and destined to become the classic introduction to the study of Picasso. Pablo Picasso (1881-1973) is perhaps the outstanding figure in the history of art in the twentieth century, known for his extraordinary virtuosity and variety of style. His vast oeuvre has been divided into distinct periods: Blue, Rose, Negro, Cubist, Neoclassical, Surrealist and so on, and for his admirers this range of styles is seen as the surest sign of his unfettered genius. But for his critics this stylistic inconsistency signals a lack of ar
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