While Carlo Collodi's internationally revered "Pinocchio" may not have been the single source of the modernist fascination with puppets and marionettes, the book's appearance on the threshold of the modernist movement heralded a new artistic interest in the making of human likenesses. And the puppets, marionettes, and other forms that figure so vividly and provocatively in modernist and avant-garde drama can, according to Harold Segel, be regarded as Pinocchio's progeny.Segel argues that the philosophical, social, and artistic proclivities of the modernist movement converged in the discovery of an exciting new relevance in the puppet and marionette. Previously viewed as entertainment for children and fairground audiences, puppets emerged as an integral component of the modernist vision. They became metaphors for human helplessness in the face of powerful forces -- from Eros and the supernatural to history, industrial society, and national myth. Dramatists used them to satirize the tyranny of bourgeois custom and convention, to deflate the arrogance of the powerful, and to breathe new life into a theater that had become tradition-bo
This is an amazing book, not to be taken lightly as the cover suggests. The writing displays a certain amount of eloquence that only a brilliant writer like Harold Segal could pull off successfully. Thank you, Harold, for this essential piece of literature.
Best Book Ever
Published by Thriftbooks.com User , 22 years ago
This book is amazing. It covers every aspect of avant-garde puppetry with a certain amount of eloquence only a brilliant writer could display.
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