Three of Denise Levertov's classic volumes, now available in a single edition. Here gathered for the first time in a single edition are three of Denise Levertov's finest books: The Freeing of the Dust (1975), Life in the Forest (1978), and Candles in Babylon (1982). This new compilationbeginning where Denise Levertov's Poems 1968-1972 left offtestifies not only to Levertov's technical mastery, but also to her spiritual vision, especially in regard to the Vietnam War. Some of Levertov's best war poems, the result of her visit to North Vietnam in 1972, are contained in this marvelous collection. Poems 1972-1982 enables readers to observe a crucial phase in Levertov's poetic development. At the same time, it illuminates Robert Creeley's assessment that she "was a constantly defining presence in the world we shared, a remarkable and transforming poet for all of us."
One of the best contemporary poets travels from delight at the simple wonders of nature, through urban riches, confrontations with the dissolution of marriage and its consequences, including the twins loneliness and liberation, to the disaster that is war, especially US involvement in Viet Nam and its destructive consequences, and many points in between. Those who were attentive adults during the years encompassed here will appreciate how accurately Levertov renders and records the objective political history of the period, and recognize in themselves her anguished responses to it. This (as with the several companion volumes of similar title) incorporates into one what were originally three separate volumes, including that I (with many) consider her strongest, "The Freeing of the Dust," in chronological order. In view of the usual quality of the poetry, and generosity of the poet, this is more than a bargain for the price; even more so at less-than-list. It is probably my favorite Denise Levertov collection, most consistently strong and confident, but there are so many "favorite" poems throughout her books that though one might begin here, it is only to begin . . . (As important for the period, if you can find it, is her 1973 volume of essays "The Poet in the World".) The cover, and the printed pages, are in black-and-white -- perfect for reading in late quiet evening while there's snow on the ground. Or during quiet grey Winter afternoon with only the hushed noise of falling snow. Or in Spring or Summer amid noisy green nature.
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