Passionate about jazz, the narrator dicovers that one of his greatest heroes, a saxophonist by the name of Pork Pie Hat, is still alive and playing at a club he frequents. Granted an interview by the... This description may be from another edition of this product.
A graduate student with a passion for jazz finds out that the legendary “Pork Pie Hat,” far from being dead as previously presumed, is alive and well and playing at a dive bar in the East Village. The student goes down to see him play, and the mysterious “Hat” soon becomes an object of fascination. As the compulsion to see him play begins to push aside his coursework, the student manages to snag an interview with the strange and reculsive saxophonist. On Halloween night, Hat tells the student a story from his childhood, of screams in a dark and lonely wood, of mysterious and menacing men in big black cars . . .
I had no idea what to expect when starting this book. At a mere 175 pages, it really qualifies as a novella (or extra-long short story) rather than a true novel. The shorter length, however, is perfect for devouring in one sitting (which I highly recommend).
This is my first time reading something by Peter Straub, but I knew he had written with Stephen King in the past, so I felt like I had some idea of what I was getting into. Pork Pie Hat both confirmed and defied my expectations. Straub’s style in this book is vaguely Lovecraftian (even if the subject matter is not), and overall the book is a creepily atmospheric tale, even if it is given more to “all monsters are human” than the supernatural (but hey, being black in the South in the early part of the 20th century would have been terrifying a;ll by itself).
So, if you’re looking for a quick bite of a story to get yourself into the Halloween spirit, this is a great book for you. Straub does a wonderful job putting you in Pork Pie Hat’s shoes on a dark Halloween night so long ago.
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