This book is an advanced critical introduction to Greek tragedy. It is written specifically for the reader who does not know Greek and who may be unfamiliar with the context of the Athenian drama festival but who nevertheless wants to appreciate the plays in all their complexity. Simon Goldhill aims to combine the best contemporary scholarly criticism in classics with a wide knowledge of modern literary studies in other fields. He discusses the masterpieces of Athenian drama in the light of contemporary critical controversies in such a way as to enable the student or scholar not only to understand and appreciate the texts of the most commonly read plays, but also to evaluate and utilize the range of approaches to the problems of ancient drama. This revised edition contains a substantial new Introduction which engages with critical and scholarly developments in Greek tragedy since the original publication.
An introduction for anyone serious about understanding...
Published by Thriftbooks.com User , 19 years ago
The two reviews here are silly and do not address the book directly. Goldhill is ambitious. He is trying to explain the nature of Greek tragedy and the circumstances of its development. He does this by discussing, in turn, particular works and particular themes. For instance, he discusses works that can only be understood in terms of the interworkings of the Greek polis and then describes the nature of the polis and its imhabitants. It is an impressive and illuminating product; those who are serious about understanding Greek tragedy should take the time to work though it.
Tempering the One Critique on this Page
Published by Thriftbooks.com User , 22 years ago
Admittedly, I have not read this book, but I have read a number of Goldhill's essays on Greek tragedy, published in a variety of journals and collections. Goldhill is a fine scholar. He is certainly not the most readable, but few classicists are. While I cannot guarantee that this book is excellent or easy, I find it improbable (in the extreme) that it is wholly poor, certainly not to the extent that the reviewer above implies.
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