Recasting the Text , a companion volume to Learning the Landscape , provides activities that help students explore multiple ways of reading and re-creating a text in various forms. Examining the concept and uses of intertextuality among works from diverse times, places, and peoples, students see how individuals re-read and re-see human experience through stories. By creating texts themselves and reading clusters of texts from similar sources, students gain new perspectives about the processes of reading and writing. Recasting the Text thoroughly integrates the language arts, utilizing ways of knowing to which students respond most keenly: observing, analyzing, imagining, and reflecting. Students will deal with language and literature experiences through a range of media that includes writing, drawing, and performing, as well as discussion. All strategies have been tested in classrooms across the country and are based on current learning-through language theory. This book can be used alone or as a supplement to any literature and language text. It is especially suitable for grades ten through twelve.
Helpful Activities to Model, But Also A Useful Theory for Teaching
Published by Thriftbooks.com User , 15 years ago
The main premise of the book is that students can use "seven angles of vision" in responding to a text and thus can "recast" the text, as readers, writers, and partners in a classroom dedicated to literature. The seven angles include "initial responses, story threads, shifting perspectives, connecting with the writer, language and craft, recasting the text," and finally, "You, the Text, the World." Students apply a variety of different techniques, including double-entry logs, creative responses, and collaborative activities in each of these angles. As a classroom teacher, I found the book very useful. Some of the activities and exercises within can be lifted wholesale as practice tryouts if teachers would like to test the theories in their own classrooms, but also, the book can serve as a model for developing a year-long curriculum that encourages teachers and students to think about texts in innovative and creative ways. While the book's examples include mainly essays, short fiction and poetry, there is also a section on performance, and the examples should be easily adaptable to longer works of fiction or nonfiction. The bulk of the book is made up of examples and activities, not theoretical passages, and can be put into ease pretty readily in any lit teacher's practice.
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