A new, beautiful updated edition of Tom Stoppard's best-loved play and one of Grove Atlantic's bestselling backlist titles, published with a new introduction by Tom Stoppard to coincide with the 50th anniversary of its debut
Rosencrantz and Guildenstern Are Dead is one of the most enduring and frequently performed plays of contemporary theater and has firmly established itself in the dramatic canon. Acclaimed as a modern masterpiece, it is the fabulously inventive tale of Hamlet as told from the worm's-eye view of the bewildered Rosencrantz and Guildenstern, two minor characters in Shakespeare's play. In Tom Stoppard's best-known work, this Shakespearean Laurel and Hardy finally get a chance to take the lead role, but do so in a world where echoes of Waiting for Godot resound, where reality and illusion intermix, and where fate leads our two heroes to a tragic but inevitable end. Revised and reissued to commemorate the fiftieth anniversary of the play's first performance, this definitive edition includes a new introduction and previously unpublished ancillary material.
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Arts, Music & Photography British & Irish Drama Literature & Fiction Performing Arts PoetryScreen plays serve several purposes; when the follow the film closely you get to slowdown and have time to savor the nuances. They also work as an external memory so you can revisit your favorite parts of the story. I could not tell my shoe was untied unless it was pointed out. I use screen plays to point out what I may have overlooked in a moment of contemplation. This particular book also has a few black & white stills...
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...MUCH better than I expected! Before I read this I was expecting an oddly funny adventure of 2 supporting characters in "Hamlet". Perhaps some witty conversation and discussions on what their plans for the Dane prince were. Well, I really wasn't wrong...it simply delivered so much more. The title characters not only have the adventure with the witty dialogue. They encounter the disconcerting world of a supporting character...
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From the uncomparable genius of Tom Stoppard comes a quotable masterpiece about two friends lost in someone else's story. While the rest of Shakespeare's characters remain true to their original script, Ros and Guil step out of the box to explore a variety of topics ranging from the metaphysical to the downright comical. As the title suggests, the story is, ultimately, a tradegy -- but as the reader gets to know the two stars,...
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In this play Tom Stoppard has pulled two minor characters from Hamlet and given us a glimpse of what may lay behind the mundane exteriors of everyday life and more importantly the limits of possibility of meaning contained in the world of literature. What is important about this is that Stoppard is showing us that the lives of common people and minor characters can also make for some great literature too. Philosophically,...
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Seeing the recent trend in philosophical reflection towards litterary theory, nothing tops Stoppard's witty examination of the nature of narrative and characterization through a parody of not only "Hamlet", but philosophy and litterary theory itself. Gloriously executed!
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